Examines contemporary literary revisions of slavery in the United States by black women writers. Books studied include ""Kindred"", ""Dessa Rose"" and ""Beloved"". These works create a space to problematize the slavery/freedom dichotomy from which contemporay black women have a ""safe"" vantage point.
Examines contemporary literary revisions of slavery in the United States by black women writers. Books studied include ""Kindred"", ""Dessa Rose"" and ""Beloved"". These works create a space to problematize the slavery/freedom dichotomy from which contemporay black women have a ""safe"" vantage point.
Harriet A. Jacobs's Incidents in the life of a slave girl, written by herself: the ur-narrative of black womanhood Not enough of the past: Octavia E. Butler's Kindred History, agency, and subjectivity in Sherley Anne Williams's Dessa Rose The metaphysics of black female identity in Toni Morrison's Beloved J. California Cooper's family: of (absent?) mothers, (motherless?) daughters, and (interracial?) relations The economies of bondage and freedom in Lorene Cary's The price of a child
Harriet A. Jacobs's Incidents in the life of a slave girl, written by herself: the ur-narrative of black womanhood Not enough of the past: Octavia E. Butler's Kindred History, agency, and subjectivity in Sherley Anne Williams's Dessa Rose The metaphysics of black female identity in Toni Morrison's Beloved J. California Cooper's family: of (absent?) mothers, (motherless?) daughters, and (interracial?) relations The economies of bondage and freedom in Lorene Cary's The price of a child
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