Eugenie Brinkema is Assistant Professor of Contemporary Literature and Media at the Massachusetts Institute of Technology.
Inhaltsangabe
Preface. Ten Points to Begin xi 1. A Tear That Does Not Drop, But Folds 2. Film Theory's Absent Center Interval. Solitude 3. The Illumination of Light 4. Grief and the Undialectical Image 5. Aesthetic Exclusions and the Worse than the Worst 6. Disgust and the Cinema of > Interlude. Formalism and Affectivity 7. Intermittency, Embarrassment, Dismay 8. Nothing/Will Have Taken Place/But the Place: Open Water Anxiety 9. To Begin Again: The Ingression of Joyful Forms Acknowledgments Notes Bibliography Index
Preface. Ten Points to Begin xi 1. A Tear That Does Not Drop, But Folds 2. Film Theory's Absent Center Interval. Solitude 3. The Illumination of Light 4. Grief and the Undialectical Image 5. Aesthetic Exclusions and the Worse than the Worst 6. Disgust and the Cinema of > Interlude. Formalism and Affectivity 7. Intermittency, Embarrassment, Dismay 8. Nothing/Will Have Taken Place/But the Place: Open Water Anxiety 9. To Begin Again: The Ingression of Joyful Forms Acknowledgments Notes Bibliography Index
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