- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
First published in 1973 The Film Business makes a factual survey of British films from their beginnings in 1896 to 1972. Ernest Betts offers character studies of men who have built the film industry and made it what it is.
Andere Kunden interessierten sich auch für
- Anne ZeiserTransmedia Marketing58,99 €
- Barbara Freedman Doyle (Chair, Film Division, Chapman University, UUnderstanding Design in Film Production53,99 €
- Neil LandauTV Outside the Box50,99 €
- Reading Asian Television Drama39,99 €
- Constantine SantasResponding to Film50,99 €
- Alexis KrasilovskyGreat Adaptations48,99 €
- Exploring Teachers in Fiction and Film67,99 €
-
-
-
First published in 1973 The Film Business makes a factual survey of British films from their beginnings in 1896 to 1972. Ernest Betts offers character studies of men who have built the film industry and made it what it is.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 374
- Erscheinungstermin: 1. November 2023
- Englisch
- Abmessung: 234mm x 156mm x 20mm
- Gewicht: 522g
- ISBN-13: 9781032602585
- ISBN-10: 1032602589
- Artikelnr.: 69896890
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 374
- Erscheinungstermin: 1. November 2023
- Englisch
- Abmessung: 234mm x 156mm x 20mm
- Gewicht: 522g
- ISBN-13: 9781032602585
- ISBN-10: 1032602589
- Artikelnr.: 69896890
Ernest Betts
Acknowledgements Preface Part I: Beginnings 1. The Threepenny Cinema 2.
First Features: Hepworth and Others 3. Early Influences 4. Pearson,
Samuelson, Elvey and their Contemporaries 5. Sound Erupts in the 1920s 6.
Of Cinemas, Societies and Institutions Part II: Development 7. Wardour
Street: The Structure of the Industry 8. The Building of the Cinemas:
Bromhead, Ostrer, Bernstein, Deutsch 9. The 1930s: Rank and the Great
Carve-up of the Industry 10. Boom and Crisis in the 1930s 11. The Studios:
Conditions of Filming Part III: The Film Matures 12. Alfred Hitchcock and
Anthony Asquith 13. Victor Saville, Herbert Wilcox, and Others 14. Sense
and the Censorship 15. Alexander Korda and the 1930s 16. More Directors of
the 1930s 17. Brief Encounters: Filippo del Giudice and Gabriel Pascal
Part IV: Documents and War Films 18. The Documentary Movement 1929-1940
19. War Films: Documentary, 1939-1945 20. War Films: Fiction and
Semi-Fiction 21. War Films: The Final Phase: 1943-1945 Part V: End of the
Great Days 22. War-Time Changes and the Monopoly Report 23. The Post-war
Film Industry 24. TV Changes the Pattern 25. Some Post-war Films, 1945-1950
26. The Englishness of Ealing Part VI: Transition Stage 27. The Lion's Tail
Twisted 28. Transition in the 1950s Part VII: Into the 1970s 29. New Men,
New Cinema 30. The Changing Background -1960s- 1970s 31. The Director as
Super-star Conclusion Appendix I Appendix II Notes Bibliography Index
First Features: Hepworth and Others 3. Early Influences 4. Pearson,
Samuelson, Elvey and their Contemporaries 5. Sound Erupts in the 1920s 6.
Of Cinemas, Societies and Institutions Part II: Development 7. Wardour
Street: The Structure of the Industry 8. The Building of the Cinemas:
Bromhead, Ostrer, Bernstein, Deutsch 9. The 1930s: Rank and the Great
Carve-up of the Industry 10. Boom and Crisis in the 1930s 11. The Studios:
Conditions of Filming Part III: The Film Matures 12. Alfred Hitchcock and
Anthony Asquith 13. Victor Saville, Herbert Wilcox, and Others 14. Sense
and the Censorship 15. Alexander Korda and the 1930s 16. More Directors of
the 1930s 17. Brief Encounters: Filippo del Giudice and Gabriel Pascal
Part IV: Documents and War Films 18. The Documentary Movement 1929-1940
19. War Films: Documentary, 1939-1945 20. War Films: Fiction and
Semi-Fiction 21. War Films: The Final Phase: 1943-1945 Part V: End of the
Great Days 22. War-Time Changes and the Monopoly Report 23. The Post-war
Film Industry 24. TV Changes the Pattern 25. Some Post-war Films, 1945-1950
26. The Englishness of Ealing Part VI: Transition Stage 27. The Lion's Tail
Twisted 28. Transition in the 1950s Part VII: Into the 1970s 29. New Men,
New Cinema 30. The Changing Background -1960s- 1970s 31. The Director as
Super-star Conclusion Appendix I Appendix II Notes Bibliography Index
Acknowledgements Preface Part I: Beginnings 1. The Threepenny Cinema 2.
First Features: Hepworth and Others 3. Early Influences 4. Pearson,
Samuelson, Elvey and their Contemporaries 5. Sound Erupts in the 1920s 6.
Of Cinemas, Societies and Institutions Part II: Development 7. Wardour
Street: The Structure of the Industry 8. The Building of the Cinemas:
Bromhead, Ostrer, Bernstein, Deutsch 9. The 1930s: Rank and the Great
Carve-up of the Industry 10. Boom and Crisis in the 1930s 11. The Studios:
Conditions of Filming Part III: The Film Matures 12. Alfred Hitchcock and
Anthony Asquith 13. Victor Saville, Herbert Wilcox, and Others 14. Sense
and the Censorship 15. Alexander Korda and the 1930s 16. More Directors of
the 1930s 17. Brief Encounters: Filippo del Giudice and Gabriel Pascal
Part IV: Documents and War Films 18. The Documentary Movement 1929-1940
19. War Films: Documentary, 1939-1945 20. War Films: Fiction and
Semi-Fiction 21. War Films: The Final Phase: 1943-1945 Part V: End of the
Great Days 22. War-Time Changes and the Monopoly Report 23. The Post-war
Film Industry 24. TV Changes the Pattern 25. Some Post-war Films, 1945-1950
26. The Englishness of Ealing Part VI: Transition Stage 27. The Lion's Tail
Twisted 28. Transition in the 1950s Part VII: Into the 1970s 29. New Men,
New Cinema 30. The Changing Background -1960s- 1970s 31. The Director as
Super-star Conclusion Appendix I Appendix II Notes Bibliography Index
First Features: Hepworth and Others 3. Early Influences 4. Pearson,
Samuelson, Elvey and their Contemporaries 5. Sound Erupts in the 1920s 6.
Of Cinemas, Societies and Institutions Part II: Development 7. Wardour
Street: The Structure of the Industry 8. The Building of the Cinemas:
Bromhead, Ostrer, Bernstein, Deutsch 9. The 1930s: Rank and the Great
Carve-up of the Industry 10. Boom and Crisis in the 1930s 11. The Studios:
Conditions of Filming Part III: The Film Matures 12. Alfred Hitchcock and
Anthony Asquith 13. Victor Saville, Herbert Wilcox, and Others 14. Sense
and the Censorship 15. Alexander Korda and the 1930s 16. More Directors of
the 1930s 17. Brief Encounters: Filippo del Giudice and Gabriel Pascal
Part IV: Documents and War Films 18. The Documentary Movement 1929-1940
19. War Films: Documentary, 1939-1945 20. War Films: Fiction and
Semi-Fiction 21. War Films: The Final Phase: 1943-1945 Part V: End of the
Great Days 22. War-Time Changes and the Monopoly Report 23. The Post-war
Film Industry 24. TV Changes the Pattern 25. Some Post-war Films, 1945-1950
26. The Englishness of Ealing Part VI: Transition Stage 27. The Lion's Tail
Twisted 28. Transition in the 1950s Part VII: Into the 1970s 29. New Men,
New Cinema 30. The Changing Background -1960s- 1970s 31. The Director as
Super-star Conclusion Appendix I Appendix II Notes Bibliography Index