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Erscheint vorauss. 18. Februar 2025
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  • Broschiertes Buch

Winners of the Inaugural Spain-USA Foundation Translation Award The Fake Muse, Max Besora's follow-up to the wild—and wildly beloved— The Adventures and Misadventures of the Extraordinary and Admirable Joan Orpí, Conquistador and Founder of New Catalonia, creates a kaleidoscope of absurd situations that, for even more absurd reasons, end up exploding in uncontrolled violence.  A novel full of humor that begins as a collection of short stories but which, little by little, builds into a choral work, made up of a variety of characters and various literary genres, all of which demonstrate Besora's…mehr

Produktbeschreibung
Winners of the Inaugural Spain-USA Foundation Translation Award The Fake Muse, Max Besora's follow-up to the wild—and wildly beloved— The Adventures and Misadventures of the Extraordinary and Admirable Joan Orpí, Conquistador and Founder of New Catalonia, creates a kaleidoscope of absurd situations that, for even more absurd reasons, end up exploding in uncontrolled violence.  A novel full of humor that begins as a collection of short stories but which, little by little, builds into a choral work, made up of a variety of characters and various literary genres, all of which demonstrate Besora's fantastic imagination and skill as a writer. This culminates in an unforgettable scene in which the protagonist of the book turns the tables on the author and calls into question his motives, why he chooses to create particular subjects for his books and, above all, his responsibility for how he treats them.  Translated by the award-winning Mara Faye Lethem, Besora's The Fake Muse is a delightful, playful novel in the vein of John Barth and Robert Coover, with a contemporary lens.
Autorenporträt
Max Besora has written five novels: Volcano (2011, rewritten and republished 2021), The Marvelous Technique (2014), The Adventures and Misadventures of the Extraordinary and Admirable Joan Orpi, Conquistador and Founder of New Catalonia (2017), The Fake Muse (2020), and His Master's Voice (2022) and one fictional essay on urban music, Trapology (2018).