The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic.
The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic.
Julie Beth Napolin is Assistant Professor of Digital Humanities in the Literature Program at The New School. She has published on sound, media, and literature in qui parle, Symploke, Sounding Out!, and Social Text and in such volumes as Vibratory Modernism, Sounding Modernism, and Fifty Years after Faulkner. In 2012 she was awarded a Bruce Harkness Young Scholar Award by the Joseph Conrad Society of America.
Inhaltsangabe
Note on Abbreviations ix Overture: The Sound of a Novel 1 1 Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading 13 Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy 59 2 The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the "Narcissus" and "The Fact of Blackness" 67 Coda: Literary History as Miscegenating Sound: The Sound and the Fury 103 Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk 115 3 A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness 149 Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) 211 Acknowledgments 231 Notes 235 Bibliography 309 Index 331
Note on Abbreviations ix Overture: The Sound of a Novel 1 1 Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading 13 Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy 59 2 The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the "Narcissus" and "The Fact of Blackness" 67 Coda: Literary History as Miscegenating Sound: The Sound and the Fury 103 Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk 115 3 A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness 149 Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) 211 Acknowledgments 231 Notes 235 Bibliography 309 Index 331
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