Extending decolonial theory into greater conversation with race, sexuality, and Indigenous studies, Macarena Gómez-Barris traces the political, aesthetic, and performative practices of South American indigenous activists, intellectuals, and artists that emerge in opposition to the ruinous effects of extractive capital.
Extending decolonial theory into greater conversation with race, sexuality, and Indigenous studies, Macarena Gómez-Barris traces the political, aesthetic, and performative practices of South American indigenous activists, intellectuals, and artists that emerge in opposition to the ruinous effects of extractive capital.
Macarena Gómez-Barris is Chair of the Department of Social Science and Cultural Studies at the Pratt Institute, author of Where Memory Dwells: Culture and State Violence in Chile, and coeditor of Toward a Sociology of the Trace.
Inhaltsangabe
Acknowledgments ix Preface. Below the Surface xiii Introduction. Submerged Perspectives 1 1. The Intangibility of the Yasuní 17 2. Andean Phenomenology and New Age Settler Colonialism 39 3. An Archive for the Future: Seeing through Occupation 66 4. A Fish-Eye Episteme: Seeing Below the River's Colonization 91 5. Decolonial Gestures: Anarcho-Feminist Indigenous Critique 110 Conclusion. The View from Below 133 Notes 139 Bibliography 165 Index 179
Acknowledgments ix Preface. Below the Surface xiii Introduction. Submerged Perspectives 1 1. The Intangibility of the Yasuní 17 2. Andean Phenomenology and New Age Settler Colonialism 39 3. An Archive for the Future: Seeing through Occupation 66 4. A Fish-Eye Episteme: Seeing Below the River's Colonization 91 5. Decolonial Gestures: Anarcho-Feminist Indigenous Critique 110 Conclusion. The View from Below 133 Notes 139 Bibliography 165 Index 179
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