Sébastien Erard (1752-1831) was a major force in the technical, musical and visual upgrading of the harp as both a novel instrument and symbol of status.
Sébastien Erard (1752-1831) was a major force in the technical, musical and visual upgrading of the harp as both a novel instrument and symbol of status.
Introduction 1 The Shift from the Single- to the Double-Action Harp: The Emergence of the Erard Grecian Model 2 The Design and Engineering of the Erard Grecian Harp: Influences from Industry and Business 3 The Decoration and Branding of the Erard Grecian Harp: Innovation, Adaptation and Substitution 4 Manufacturing the Erard Grecian Harp: Aspects of Organisation, Management and Operation 5 Marketing the Erard Grecian Harp: Promotional Strategies and the Establishment of a Refined Clientele 6 Erard and the Harp in Education, Art and Fashion: 'Evening Dress' for a Private Concert 7 Erard and the Harp's Literary Footprint: From Pride and Prejudice to War and Peace 8 The Erard Grecian Harp as an Artefact of Cultural Heritage: 'Self-destruction' and Resurrection Conclusions Appendix Bibliography Index of Names Index of Places Index of Themes
Introduction 1 The Shift from the Single- to the Double-Action Harp: The Emergence of the Erard Grecian Model 2 The Design and Engineering of the Erard Grecian Harp: Influences from Industry and Business 3 The Decoration and Branding of the Erard Grecian Harp: Innovation, Adaptation and Substitution 4 Manufacturing the Erard Grecian Harp: Aspects of Organisation, Management and Operation 5 Marketing the Erard Grecian Harp: Promotional Strategies and the Establishment of a Refined Clientele 6 Erard and the Harp in Education, Art and Fashion: 'Evening Dress' for a Private Concert 7 Erard and the Harp's Literary Footprint: From Pride and Prejudice to War and Peace 8 The Erard Grecian Harp as an Artefact of Cultural Heritage: 'Self-destruction' and Resurrection Conclusions Appendix Bibliography Index of Names Index of Places Index of Themes
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