Naseem A. Hines has taught medieval and modern Hindi literature and Urdu prose and poetry at the University of Washington, Washington University in St. Louis, Harvard University, Boston University, Wellesley College and the University of British Columbia. She lives in Seattle now where she continues to teach Sufi poetry.
Inhaltsangabe
List of Illustrations Foreword by Ali S. Asani Acknowledgements Notes on Transliteration 1. Introduction What is C nd yan? The Socio-Political Milieu of the Masnav The Chishti Sufi Order in India Amir Khusrau and the Qaww l Maulana Daud The Structural Design of C nd yan a. The Prologue b. The Abode of the Beloved c. The Nakha-Sìikha Varnana d. The B rahm s in C nd yan e. A Mystic's Spiritual Journey f. The Reconciliation/Homecoming g. The 'Key' to the Masnav 2. C nd yan 3. Finding C nd yan Translation Process vis-à-vis the Language and the Prosody Appendices 1. Sufi Masnav s in India 2. The Chishti Sufi Order in India 3. Ruler and Noblemen in C nd yan Sources of Appendices Bibliography
List of Illustrations Foreword by Ali S. Asani Acknowledgements Notes on Transliteration 1. Introduction What is C nd yan? The Socio-Political Milieu of the Masnav The Chishti Sufi Order in India Amir Khusrau and the Qaww l Maulana Daud The Structural Design of C nd yan a. The Prologue b. The Abode of the Beloved c. The Nakha-Sìikha Varnana d. The B rahm s in C nd yan e. A Mystic's Spiritual Journey f. The Reconciliation/Homecoming g. The 'Key' to the Masnav 2. C nd yan 3. Finding C nd yan Translation Process vis-à-vis the Language and the Prosody Appendices 1. Sufi Masnav s in India 2. The Chishti Sufi Order in India 3. Ruler and Noblemen in C nd yan Sources of Appendices Bibliography
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