The Encyclopaedia of Music in Ireland - White, Harry
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EMIR is the first comprehensive attempt to chart Irish musical life across recorded history. It is the collective work of over 230 contributors whose research has been marshaled by an editorial and advisory board of specialists in the following domains of Irish musical experience: secular and religious music to 1600; art music, 1600-2010; Roman catholic church music; Protestant church music; popular music; traditional music; organology, and iconography; historical musicology; ethnomusicology; the history of recorded sound; music and media; music printing and publishing; music in Ireland as…mehr

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EMIR is the first comprehensive attempt to chart Irish musical life across recorded history. It is the collective work of over 230 contributors whose research has been marshaled by an editorial and advisory board of specialists in the following domains of Irish musical experience: secular and religious music to 1600; art music, 1600-2010; Roman catholic church music; Protestant church music; popular music; traditional music; organology, and iconography; historical musicology; ethnomusicology; the history of recorded sound; music and media; music printing and publishing; music in Ireland as trade, industry and profession. In its extensive catalogues, discographies and source materials, EMIR sets in order, often for the first time, the legacy and worklists of performers and composers active in Ireland (or of Irish extraction), notably (but not exclusively) in the nineteenth and early twentieth centuries. It offers to the general reader a regiment of brief lives' of Irish musicians throughout history, and it affords the specialist a detailed retrieval of information on music in Ireland hitherto unavailable or difficult to access. Above all, it is encyclopaedic in its address on the plurality and diversity of Irish musical experience. To this end, EMIR represents the single largest research project on music in Ireland to have been undertaken to date.