This book examines the door as a critical but under-explored feature of theatre and performance, asking how doors function on stage, in site-specific practice and in performances of place. Aimed at performance makers and artists as well as advanced students and scholars in the fields of performance studies, cultural theory, and visual arts.
This book examines the door as a critical but under-explored feature of theatre and performance, asking how doors function on stage, in site-specific practice and in performances of place. Aimed at performance makers and artists as well as advanced students and scholars in the fields of performance studies, cultural theory, and visual arts.
Stuart Andrews is a writer, researcher, and Co-Director of Performing City Resilience. Matthew Wagner is a Senior Lecturer in Theatre and Performance at the University of Surrey.
Inhaltsangabe
Openings: doors remembered 1 The dramaturgy of the door 2 At home with doors: practising architectural elements 3 "This is the door": threshold phenomena in Shakespearean dramaturgy 4 Bodies at doors, bodies with doors 5 Together at doors: situating spectators in the city 6 The Janus effect: doors and theatrical time Closings: doors reflected
Openings: doors remembered 1 The dramaturgy of the door 2 At home with doors: practising architectural elements 3 "This is the door": threshold phenomena in Shakespearean dramaturgy 4 Bodies at doors, bodies with doors 5 Together at doors: situating spectators in the city 6 The Janus effect: doors and theatrical time Closings: doors reflected
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