Wayne Kyle Spitzer

The Devil Drives a '66

And Other Stories

• Broschiertes Buch

Produktbeschreibung

Then I was off, cruising the streets of Schenectady as though I hadn't a care in the world, relishing it every time I drew alongside some kid in his Honda, speeding up a little as I handled corners, tapping the horn as I rumbled past female joggers. The truth of it is I was under the car's spell, and didn't think to question why the girl had fallen silent (again) or who-what-the other voices had been or how a car that had been buried for 52 years had simply rolled over and leapt to life. I felt young again, vibrant, strong, as though nothing could touch me and nothing could hurt; as though the logical part of my brain had simply turned off, as it does when you smoke a good blunt; as though I were in the clouds and nothing could bring me back. Indeed, I felt free of all human constraint and concern-at least, until I saw the Lyndon B. Johnson campaign sticker on the clean, chrome bumper ahead of me, and, realizing that both it and the Beetle to which it was attached were in as perfect condition as the 'Vette-"Black Betty" it said on the 'Vette's door, I'd nearly forgotten about that-began to come out of it. That's when I really noticed it, the fact that the landscape immediately around the car had changed; that it had-reverted, somehow. I can only describe what I saw, which was that none of the vehicles at the light could have been newer than a '66, and that the light itself looked decidedly retro, decidedly quaint, at least compared to the one only a block away. More, the storefronts alongside had changed, so that a Kinney Shoe Store now stood where a Taco Bell had just been, and a Woolworth had replaced an Indy Food Mart. Likewise, the pedestrians had changed-yoga pants giving way to miniskirts, athletic shoes giving way to go-go boots and winklepickers, short hair giving way to long. And it was as I observed these things that I noticed something else-the Stingray's reflection in the Woolworth's front windows, or rather, the reflection of something which was not the Stingray but which stood-hovered-in its place: a long, translucent, green-black thing, like an enormous wine decanter, only laid on its side, which glowed slightly from within its bulbous body and seemed to warp the very air around it, to bend it, to curl it like burnt paper. What you see is the car's true form, came the voice, the girl's voice, Mia's, startling me with its clarity, seeming at once to be both inside my head and without, causing me to turn instinctively- revealing her to be sitting beside me, right there in the passenger seat. "... and the field in which it operates. That field is weak now but it will grow. And the longer it remains free-the car, the artifact-the stronger it will become, until the world itself becomes threatened. Now do you see why I tried to warn you?"

Produktdetails

• Verlag: Hobb's End Books
• Seitenzahl: 426
• Erscheinungstermin: 7. März 2023
• Englisch
• Abmessung: 229mm x 152mm x 26mm
• Gewicht: 688g
• ISBN-13: 9781088118184
• ISBN-10: 1088118186
• Artikelnr.: 67628383

Autorenporträt

Wayne Kyle Spitzer is an American writer, illustrator, and filmmaker. He is the author of countless books, stories and other works, including a film (Shadows in the Garden), a screenplay (Algernon Blackwood's The Willows), and a memoir (X-Ray Rider). His work has appeared in MetaStellar-Speculative fiction and beyond, subTerrain Magazine: Strong Words for a Polite Nation and Columbia: The Magazine of Northwest History, among others. He holds a Master of Fine Arts degree from Eastern Washington University, a B.A. from Gonzaga University, and an A.A.S. from Spokane Falls Community College. His recent fiction includes The Man/Woman War cycle of stories as well as the Dinosaur Apocalypse Saga. He lives with his sweetheart Ngoc Trinh Ho in the Spokane Valley.