The core of this volume was originally a chapbook of the same title, first published in Mississippi in 1985, and demonstrates in shorter poems how Tarn's work was developing in the '80s. It contains some remarkable work that stands up today, as fresh as the year in which that selection was first published. In this second edition, the original poems are joined by three other long sequences from the same period, turning it into a full-length book.
The core of this volume was originally a chapbook of the same title, first published in Mississippi in 1985, and demonstrates in shorter poems how Tarn's work was developing in the '80s. It contains some remarkable work that stands up today, as fresh as the year in which that selection was first published. In this second edition, the original poems are joined by three other long sequences from the same period, turning it into a full-length book.
Franco-Anglo-American poet Nathaniel Tarn was born in 1928 and educated in France, Belgium and England, obtaining degrees from Cambridge, the Sorbonne and Chicago; he emigrated to the United States in 1970, where he taught at American universities until his retirement. He now lives just outside Santa Fe, New Mexico. Although he is perhaps best-known these days as a poet and essayist, he is also an anthropologist, with a particular interest in Highland Maya studies and the sociology of Buddhist institutions, and is also a translator of the highest order (see above all his versions of Neruda's The Heights of Macchu Picchu and Victor Segalen's Stelae). His first collection of poetry was Old Savage/Young City (London: Cape, 1964), which was followed the next year by his appearance in the seventh volume of the Penguin Modern Poets series. Three more collections followed in London, during which time he also became editor of Cape Goliard and founder-editor of the remarkable Cape Editions series of seminal modern texts: poetry, prose, anthropology, drama, many of them in pioneering translations. After he emigrated, only two more collections (the important volume "A Nowhere for Vallejo" and the ambitious book-length poem "Lyrics for the Bride of God") were to appear in the UK. Thereafter, with the exception of his Shearsman publications and one other volume, all of his work has appeared in the USA, most significantly: "The House of Leaves", "Atitlán/Alashka" (with Janet Rodney), "At the Western Gates", "Selected Poems 1950-2000", "Ins and Outs of the Forest Rivers" and the recent "Gondwana". There is also a significant volume of essays in "Views from the Weaving Mountain". Tarn's work is remarkable for expansiveness and its willingness to absorb material from very disparate sources-in this, it owes something to the examples of Pound and Olson, but also a lot to the author's own anthropological training, his knowledge of other languages and his interests in areas such as archaeology.
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