Using an innovative syncretic â cultural politicsâ approach drawing on political theory, film studies and sociology, this book unpacks how political myths about states, citizens, community, intimate life and social criticism operate in Hollywood narratives. -- .
Using an innovative syncretic â cultural politicsâ approach drawing on political theory, film studies and sociology, this book unpacks how political myths about states, citizens, community, intimate life and social criticism operate in Hollywood narratives. -- .
Chris Beasley is Professor of Politics at the University of Adelaide Heather Brook is Senior Lecturer in Women's Studies at Flinders University
Inhaltsangabe
Foreword by Douglas Kellner 1 Introduction: the cultural politics of popular film 2 Frames Part I: Security 3 Security: order and disorder 4 War and order 5 Disorder and fear 6 Fearsome monsters Part II: Relationalities 7 Gender and intimate relationships 8 Romance 9 Bromance Part III: Social critique 10 Against the grain? Socially critical movies 11 Questioning the critical Part IV: Global agendas 12 The big picture: the 'metropole' and peripheral 'others' 13 Responses from 'the margins' Index
Foreword by Douglas Kellner 1 Introduction: the cultural politics of popular film 2 Frames Part I: Security 3 Security: order and disorder 4 War and order 5 Disorder and fear 6 Fearsome monsters Part II: Relationalities 7 Gender and intimate relationships 8 Romance 9 Bromance Part III: Social critique 10 Against the grain? Socially critical movies 11 Questioning the critical Part IV: Global agendas 12 The big picture: the 'metropole' and peripheral 'others' 13 Responses from 'the margins' Index
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