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Maurice Leblanc's mystery book The Crystal Stopper follows the exploits of gentleman thief Arsène Lupin. From September to November 1912, the novel was published in serial form in the French daily Le Journal. It was then published as a standalone novel. The terrible Panama scandals of 1892 and 1893 served as Leblanc's inspiration. The concept of hiding something in plain sight is taken from Edgar Allan Poe's short story ""The Purloined Letter"" and used throughout the novel. Two of Arsène Lupin's associates are detained by the police when a crime is committed during a break-in at the residence…mehr

Produktbeschreibung
Maurice Leblanc's mystery book The Crystal Stopper follows the exploits of gentleman thief Arsène Lupin. From September to November 1912, the novel was published in serial form in the French daily Le Journal. It was then published as a standalone novel. The terrible Panama scandals of 1892 and 1893 served as Leblanc's inspiration. The concept of hiding something in plain sight is taken from Edgar Allan Poe's short story ""The Purloined Letter"" and used throughout the novel. Two of Arsène Lupin's associates are detained by the police when a crime is committed during a break-in at the residence of Deputy Daubrecq. Both will get the death penalty, regardless of whether one is guilty or innocent of the crime. Lupin fights against the vicious blackmailer of Deputy Daubrecq, who is holding an incriminating document concealed in a crystal stopper, while he tries to free the victim of a miscarriage of justice.
Autorenporträt
Maurice Le Blanc, a fictitious gentleman thief and detective who is sometimes compared to Arthur Conan Doyle's Sherlock Holmes, was created by Maurice Marie Émile Leblanc (11 December 1864 - 6 November 1941), a French novelist and short story writer. Leblanc may have also read Octave Mirbeau's Les 21 jours d'un neurasthénique (1901), which contains a gentleman thief by the name of Arthur Lebeau, and seen Mirbeau's comedy Scrupules (1902), whose primary character is a gentleman thief. By 1907, Leblanc had advanced to penning full-length Lupin novels, and thanks to favorable reviews and strong sales, he practically devoted the remainder of his career to producing Lupin tales. Leblanc also seems to have disliked Lupin's popularity, much like Conan Doyle, who frequently felt embarrassed or constrained by the success of Sherlock Holmes and seemed to regard his success in the field of crime fiction as a detraction from his more "respectable" artistic objectives. He made several attempts to develop additional characters, such as the PI Jim Barnett, but in the end, combined them with Lupin. He wrote Lupin stories all the way into the 1930s.