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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute…mehr

Produktbeschreibung
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autorenporträt
Richard Brinsley Sheridan (1751-1816) Dublin-born playwright and theatre manager, who produced three classic comedies within a five-year writing career. "Whatever Sheridan has done or chosen to do," Lord Byron wrote, "has been, par excellence, the best of its kind." He was the son of the Irish actor-manager Thomas Sheridan and his wife Frances, a popular novelist. In 1775 the double success of Sheridan's first great comedy, The Rivals, and his comic opera The Duenna allowed him to buy Garrick's share in Drury Lane; he became manager in 1776 and sole owner two years later. Another brilliant comedy of manners, The School for Scandal, opened in 1777 at Drury Lane to universal acclaim. He also wrote a burlesque of heroic drama, The Critic (1779). All are high comedies, featuring such memorable characters as Mrs Malaprop, Lady Teazle, and Mr Puff. Unfortunately he was not so brilliant in his management of Drury Lane. His love of extravagant spectacles almost led to bankruptcy, and he constantly became embroiled in legal action against managers of unlicensed theatres. In 1794 he rebuilt his theatre to such vast proportions that Mrs Siddons called it "a wilderness of a place". In 1780 Sheridan abandoned the theatre to enter parliament, where he gained a reputation as a fine orator (on one occasion speaking for over five hours). When Drury Lane caught fire in 1809 he drank a leisurely glass of wine at the Great Piazza coffee house, watching the flames consume his theatre and remarking "A man may surely be allowed to take a glass of wine at his own fireside." He died in poverty.