In this detailed study of literary culture in the inter-war period, Jason Harding examines the standing of T. S. Eliot's journal the Criterion in relation to other literary periodicals and, beyond that, to the larger cultural networks of the time. Through his examination of insufficiently known archive material and interviews with living witnesses to the period, Harding significantly alters our understanding of the journal and of Eliot's role as editor.
In this detailed study of literary culture in the inter-war period, Jason Harding examines the standing of T. S. Eliot's journal the Criterion in relation to other literary periodicals and, beyond that, to the larger cultural networks of the time. Through his examination of insufficiently known archive material and interviews with living witnesses to the period, Harding significantly alters our understanding of the journal and of Eliot's role as editor.
Abbreviations Introduction I: Periodical Networks 1: The Adelphi: The Reaction against Romanticism 2: The Calendar: Standards of Criticism 3: Scrutiny: Critics from Cambridge 4: New Verse: An Oxford Clique II: The Politics of Book Reviewing 5: Herbert Read: Anarchist Aide-de-Camp 6: Bonamy Dobree: Agreeable Sceptic 7: Montgomery Belgion: A Useful Irritant 8: Michael Roberts and Janet Adam Smith: New Signatures III: Cultural Politics 9: A Religio-Political Organ 10: Defence of the West Afterword Select Bibliography Index
Abbreviations Introduction I: Periodical Networks 1: The Adelphi: The Reaction against Romanticism 2: The Calendar: Standards of Criticism 3: Scrutiny: Critics from Cambridge 4: New Verse: An Oxford Clique II: The Politics of Book Reviewing 5: Herbert Read: Anarchist Aide-de-Camp 6: Bonamy Dobree: Agreeable Sceptic 7: Montgomery Belgion: A Useful Irritant 8: Michael Roberts and Janet Adam Smith: New Signatures III: Cultural Politics 9: A Religio-Political Organ 10: Defence of the West Afterword Select Bibliography Index
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