Volume II breaks new ground by printing the fifty-nine surviving manuscript poems by which Herrick was known for most of his life. This volume provides the scores and notes on the nature of performance of all of his songs for which contemporary settings survive.
Volume II breaks new ground by printing the fifty-nine surviving manuscript poems by which Herrick was known for most of his life. This volume provides the scores and notes on the nature of performance of all of his songs for which contemporary settings survive.
Tom Cain is Professor Emeritus of Early Modern Literature at Newcastle University. He has worked on Herrick for many years, but has also written a study of Tolstoy (1977), and edited Nicholas Hilliard's Art of Limning (1981). His Revels Plays edition of Jonson's Poetaster (1995) was followed by an edition of the manuscript poems left by Herrick's patron, Mildmay Fane, Earl of Westmorland (2001). He has written several essays on Donne and Jonson, and has just edited Jonson's Sejanus for the Cambridge Works of Ben Jonson (2012). Ruth Connolly is Lecturer in Seventeenth-Century Literature at Newcastle University. Her current work focusses on the circulation of Stuart lyric poetry in manuscript, and on early modern women's writing, especially by members of the Boyle family, Katherine Boyle Jones, Viscountess Ranelagh (1614-91) and Mary Boyle Rich, Countess of Warwick (1624-1678.)
Inhaltsangabe
Herrick's Poetry in Manuscript General Introduction A Note on Herrick's Hand Textual Introduction Manuscript Poems Textual Notes Appendix of Other Poems and Songs Commentary to Hesperides and His Noble Numbers
Herrick's Poetry in Manuscript General Introduction A Note on Herrick's Hand Textual Introduction Manuscript Poems Textual Notes Appendix of Other Poems and Songs Commentary to Hesperides and His Noble Numbers
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