Pilar Alessandra is the director of the writing program On the Page®, host of the popular On the Page Podcast, and author of "The Coffee Break Screenwriter." Pilar started her career as Senior Story Ana-lyst at DreamWorks SKG and, in 2001, opened the On the Page Writers' Studio in Los Angeles. Her students and clients have written for The Walking Dead, Lost, House of Lies, Nip/Tuck, and Family Guy. They've sold features and pitches to Warner Bros., DreamWorks, Disney, and Sony, and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition, and Warner Bros. TV Writ-ing Workshop. Pilar has trained writers at ABC/Disney and CBS and traveled the world, teaching in London, Beijing, Warsaw, Lisbon, and South Africa. www.OnThePage.tv
Inhaltsangabe
Chapter 1: The Story Emotion tells the story Character flaw tells the story The world tells the story Premise tells the story Secondary characters tell the story Complication tells the story Synopsizing tells the story Resolution tells the story Plot and character elements tell the story You tell the story Chapter 2: The Structure Feature structure made simple TV pilot structure made simple Organizing your story The structure sheet Chapter 3: The Outline The eight-sequence beat sheet The beat-sheet rewrite The scene list Scene brainstorming Finding scenes through setup and payoff Chapter 4: The Characters Character biography Character makes an entrance Character rules Creating great antagonists Chapter 5: The First Draft Scene intention Quicky format The speed draft Script development: add new scenes Script development: build on existing scenes Script development: add your voice Chapter 6: The Dialogue Verbal agenda Verbal strategy Dialogue as a game Finding character voice Chapter 7: The Rewrite The concept pass The structure pass The story pass The scene pass The character pass The dialogue pass The format pass The element pass The holistic pass Chapter 8: The Craft The placement of action lines Choreography in action lines Fight scenes Emotional action lines The "tell" of the scene The button Scene transitions Narrative devices Character and setting descriptions Essence plus action Tonal writing Chapter 9: The Final Edit Story intention edit Genre intention edit Line cut edit Scene trimming edit The general edit Chapter 10: The Presentation Print and bind Protect your material Pitch your script The personal pitch Marketing materials Chapter 11: The Opportunity Networking New media Video games, game shows, promos, and reality TV What if they like me? The long pitch
Chapter 1: The Story Emotion tells the story Character flaw tells the story The world tells the story Premise tells the story Secondary characters tell the story Complication tells the story Synopsizing tells the story Resolution tells the story Plot and character elements tell the story You tell the story Chapter 2: The Structure Feature structure made simple TV pilot structure made simple Organizing your story The structure sheet Chapter 3: The Outline The eight-sequence beat sheet The beat-sheet rewrite The scene list Scene brainstorming Finding scenes through setup and payoff Chapter 4: The Characters Character biography Character makes an entrance Character rules Creating great antagonists Chapter 5: The First Draft Scene intention Quicky format The speed draft Script development: add new scenes Script development: build on existing scenes Script development: add your voice Chapter 6: The Dialogue Verbal agenda Verbal strategy Dialogue as a game Finding character voice Chapter 7: The Rewrite The concept pass The structure pass The story pass The scene pass The character pass The dialogue pass The format pass The element pass The holistic pass Chapter 8: The Craft The placement of action lines Choreography in action lines Fight scenes Emotional action lines The "tell" of the scene The button Scene transitions Narrative devices Character and setting descriptions Essence plus action Tonal writing Chapter 9: The Final Edit Story intention edit Genre intention edit Line cut edit Scene trimming edit The general edit Chapter 10: The Presentation Print and bind Protect your material Pitch your script The personal pitch Marketing materials Chapter 11: The Opportunity Networking New media Video games, game shows, promos, and reality TV What if they like me? The long pitch
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