Elizabeth Edwards is Professor of Photographic History and Director of the Photographic History Research Centre at De Montfort University in Leicester. From 1988 until 2005, she was Head of Photograph and Manuscript Collections at the Pitt Rivers Museum at the University of Oxford, where she was also a Lecturer in Visual Anthropology. Edwards is the author of Raw Histories: Photographs, Anthropology, and Museums; editor of Anthropology and Photography, 1860–1920; and a co-editor of Photography, Anthropology and History; Visual Sense: The Cultural Reader; and Sensible Objects: Colonialism, Material Culture and the Senses.…mehr
Elizabeth Edwards is Professor of Photographic History and Director of the Photographic History Research Centre at De Montfort University in Leicester. From 1988 until 2005, she was Head of Photograph and Manuscript Collections at the Pitt Rivers Museum at the University of Oxford, where she was also a Lecturer in Visual Anthropology. Edwards is the author of Raw Histories: Photographs, Anthropology, and Museums; editor of Anthropology and Photography, 1860–1920; and a co-editor of Photography, Anthropology and History; Visual Sense: The Cultural Reader; and Sensible Objects: Colonialism, Material Culture and the Senses.
Elizabeth Edwards is Professor of Photographic History and Director of the Photographic History Research Centre at De Montfort University in Leicester. From 1988 until 2005, she was Head of Photograph and Manuscript Collections at the Pitt Rivers Museum at the University of Oxford, where she was also a Lecturer in Visual Anthropology. Edwards is the author of Raw Histories: Photographs, Anthropology, and Museums; editor of Anthropology and Photography, 1860–1920; and a co-editor of Photography, Anthropology and History; Visual Sense: The Cultural Reader; and Sensible Objects: Colonialism, Material Culture and the Senses.
Inhaltsangabe
Preface xi Acknowledgments xiii 1. "Sacred Monuments of the Nation's Growth and Hope": Amateur Photography and Imagining the Past 1 2. "A Credit to Yourself and Your Country": Amateur Photographers and the Survey and Record Movement 31 3. Unblushing Realism: Practices of Evidence, Style, and Arachive 79 4. "To Be a Source of Pride": Local Histories and National Identities 123 5. "Doomed and Threatened": Photography, Disappearance, and Survival 163 6. "To Quicken the Instincts": Photographs 7. Afterlives and Legacies: An Epilogureas Public History 209 7. Afterlives and Legacies: An Epilogue 243 Appendix 259 Illustrations 269 Notes 273 Bibliography 305 Index 321
Preface xi Acknowledgments xiii 1. "Sacred Monuments of the Nation's Growth and Hope": Amateur Photography and Imagining the Past 1 2. "A Credit to Yourself and Your Country": Amateur Photographers and the Survey and Record Movement 31 3. Unblushing Realism: Practices of Evidence, Style, and Arachive 79 4. "To Be a Source of Pride": Local Histories and National Identities 123 5. "Doomed and Threatened": Photography, Disappearance, and Survival 163 6. "To Quicken the Instincts": Photographs 7. Afterlives and Legacies: An Epilogureas Public History 209 7. Afterlives and Legacies: An Epilogue 243 Appendix 259 Illustrations 269 Notes 273 Bibliography 305 Index 321
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