Thomas Postlewait
The Cambridge Introduction to Theatre Historiography
Thomas Postlewait
The Cambridge Introduction to Theatre Historiography
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A 'how to' guide for students and teachers of theatre history, covering archival research, developing historical descriptions and writing reports.
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A 'how to' guide for students and teachers of theatre history, covering archival research, developing historical descriptions and writing reports.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 360
- Erscheinungstermin: 3. Februar 2016
- Englisch
- Abmessung: 235mm x 157mm x 24mm
- Gewicht: 674g
- ISBN-13: 9780521495707
- ISBN-10: 0521495709
- Artikelnr.: 26032722
- Verlag: Cambridge University Press
- Seitenzahl: 360
- Erscheinungstermin: 3. Februar 2016
- Englisch
- Abmessung: 235mm x 157mm x 24mm
- Gewicht: 674g
- ISBN-13: 9780521495707
- ISBN-10: 0521495709
- Artikelnr.: 26032722
Thomas Postlewait is Professor of Drama at the University of Washington.
Introduction: on some preliminary matters; Part I. Documentary History vs
Cultural History: Two Case Studies: 1. Documentary histories: the case of
Shakespeare's Globe theatre; 2. Cultural histories: the case of Alfred
Jarry's Ubu Roi; Part II. Historical vs Theatrical Events: 3. The
historical event; 4. The theatrical event; Part III. Placing Events within
their Contexts: 5. The criteria for periodization in theatre history:
definitive categories for events; 6. The idea of the 'political' in our
histories of theatre: causal contexts for events; Part IV. Summing Up: 7.
The theatrical event and its conditions: a primer with twelve cruxes.
Cultural History: Two Case Studies: 1. Documentary histories: the case of
Shakespeare's Globe theatre; 2. Cultural histories: the case of Alfred
Jarry's Ubu Roi; Part II. Historical vs Theatrical Events: 3. The
historical event; 4. The theatrical event; Part III. Placing Events within
their Contexts: 5. The criteria for periodization in theatre history:
definitive categories for events; 6. The idea of the 'political' in our
histories of theatre: causal contexts for events; Part IV. Summing Up: 7.
The theatrical event and its conditions: a primer with twelve cruxes.
Introduction: on some preliminary matters; Part I. Documentary History vs Cultural History: Two Case Studies: 1. Documentary histories: the case of Shakespeare's Globe theatre; 2. Cultural histories: the case of Alfred Jarry's Ubu Roi; Part II. Historical vs Theatrical Events: 3. The historical event; 4. The theatrical event; Part III. Placing Events within their Contexts: 5. The criteria for periodization in theatre history: definitive categories for events; 6. The idea of the 'political' in our histories of theatre: causal contexts for events; Part IV. Summing Up: 7. The theatrical event and its conditions: a primer with twelve cruxes.
Introduction: on some preliminary matters; Part I. Documentary History vs
Cultural History: Two Case Studies: 1. Documentary histories: the case of
Shakespeare's Globe theatre; 2. Cultural histories: the case of Alfred
Jarry's Ubu Roi; Part II. Historical vs Theatrical Events: 3. The
historical event; 4. The theatrical event; Part III. Placing Events within
their Contexts: 5. The criteria for periodization in theatre history:
definitive categories for events; 6. The idea of the 'political' in our
histories of theatre: causal contexts for events; Part IV. Summing Up: 7.
The theatrical event and its conditions: a primer with twelve cruxes.
Cultural History: Two Case Studies: 1. Documentary histories: the case of
Shakespeare's Globe theatre; 2. Cultural histories: the case of Alfred
Jarry's Ubu Roi; Part II. Historical vs Theatrical Events: 3. The
historical event; 4. The theatrical event; Part III. Placing Events within
their Contexts: 5. The criteria for periodization in theatre history:
definitive categories for events; 6. The idea of the 'political' in our
histories of theatre: causal contexts for events; Part IV. Summing Up: 7.
The theatrical event and its conditions: a primer with twelve cruxes.
Introduction: on some preliminary matters; Part I. Documentary History vs Cultural History: Two Case Studies: 1. Documentary histories: the case of Shakespeare's Globe theatre; 2. Cultural histories: the case of Alfred Jarry's Ubu Roi; Part II. Historical vs Theatrical Events: 3. The historical event; 4. The theatrical event; Part III. Placing Events within their Contexts: 5. The criteria for periodization in theatre history: definitive categories for events; 6. The idea of the 'political' in our histories of theatre: causal contexts for events; Part IV. Summing Up: 7. The theatrical event and its conditions: a primer with twelve cruxes.