Final volume of the seven-volume Cambridge History of the Book in Britain series, focusing on the twentieth century and beyond. The book is for students, scholars and a general audience interested in book history, publishing studies, and the cultural history of Britain in the twentieth century and beyond.
Final volume of the seven-volume Cambridge History of the Book in Britain series, focusing on the twentieth century and beyond. The book is for students, scholars and a general audience interested in book history, publishing studies, and the cultural history of Britain in the twentieth century and beyond.
Part I: 1. Materials, technologies and the printing industry Sarah Bromage and Helen Williams 2. Format and design Sebastian Carter 3. The digital book Padmini Ray Murray Part II: 4. Authorship Andrew Nash and Claire Squires 5. Publishing David Finkelstein and Alistair McCleery 6. Distribution and bookselling Iain Stevenson 7. Reading and ownership Andrew Nash, Claire Squires and Shafquat Towheed Part III: 8. Literature Andrew Nash and Jane Potter 9. Children's books Peter Hunt and Lucy Pearson 10. Schoolbooks and textbook publishing Sarah Pedersen 11. Popular science Peter J. Bowler 12. Popular history Helen Williams 13. Religion Michael Ledger-Lomas 14. Publishing for leisure Susan Pickford 15. Museum and art book publishing Sarah Anne Hughes 16. Music John Wagstaff 17. University presses and academic publishing Samatha J. Rayner 18. Journals (STM and humanities) Michael Mabe and Anthony Watkinson 19. Information, reference, and government publishing Susan Pickford 20. Maps, cartography and geographical publishing Iain Stevenson 21. Magazines and periodicals Anthony Quinn 22. Comics and graphic novels Mark Nixon Part IV: 23. The book in Wartime Jane Potter 24. Books, intellectual property and copyright Catherine Seville 25. Books and the mass market: class, democracy and value Rónán McDonald 26. The book and civil society Kate Longworth 27. Sex, race and class: the radical, alternative and minority booktrade in Britain Gail Chester 28. Counter-culture and underground Chris Atton 29. Books and other media Alexis Weedon 30. Book events, book environments David Finkelstein and Claire Squires 31. The book, British imperialism and post-imperialism Caroline Davis.
Part I: 1. Materials, technologies and the printing industry Sarah Bromage and Helen Williams 2. Format and design Sebastian Carter 3. The digital book Padmini Ray Murray Part II: 4. Authorship Andrew Nash and Claire Squires 5. Publishing David Finkelstein and Alistair McCleery 6. Distribution and bookselling Iain Stevenson 7. Reading and ownership Andrew Nash, Claire Squires and Shafquat Towheed Part III: 8. Literature Andrew Nash and Jane Potter 9. Children's books Peter Hunt and Lucy Pearson 10. Schoolbooks and textbook publishing Sarah Pedersen 11. Popular science Peter J. Bowler 12. Popular history Helen Williams 13. Religion Michael Ledger-Lomas 14. Publishing for leisure Susan Pickford 15. Museum and art book publishing Sarah Anne Hughes 16. Music John Wagstaff 17. University presses and academic publishing Samatha J. Rayner 18. Journals (STM and humanities) Michael Mabe and Anthony Watkinson 19. Information, reference, and government publishing Susan Pickford 20. Maps, cartography and geographical publishing Iain Stevenson 21. Magazines and periodicals Anthony Quinn 22. Comics and graphic novels Mark Nixon Part IV: 23. The book in Wartime Jane Potter 24. Books, intellectual property and copyright Catherine Seville 25. Books and the mass market: class, democracy and value Rónán McDonald 26. The book and civil society Kate Longworth 27. Sex, race and class: the radical, alternative and minority booktrade in Britain Gail Chester 28. Counter-culture and underground Chris Atton 29. Books and other media Alexis Weedon 30. Book events, book environments David Finkelstein and Claire Squires 31. The book, British imperialism and post-imperialism Caroline Davis.
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