This History, first published in 2009, provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones.
This History, first published in 2009, provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones.
Editor's preface Simon P. Keefe Prelude: 1. The musical map of Europe c.1700 STEPHEN ROSE Part I. Music for the Church: 2. Catholic church music in Italy, and the Spanish and Portuguese Empires PAUL R. LAIRD 3. Catholic sacred music in Austria JEN-YEN CHEN 4. Catholic church music in France JEAN-PAUL C. MONTAGNIER 5. Lutheran church music STEPHEN ROSE 6. Protestant church music in England and America CHARLES E. BREWER Interlude 7. Listening, thinking and writing DAVID SCHROEDER Part II. Music for the Theatre: 8. Italian opera in the eighteenth century MARGARET R. BUTLER 9. Opera in Paris from Campra to Rameau LOIS ROSOW 10. An instinct for parody and a spirit for revolution: Parisian opera, 1752-1800 MICHAEL FEND 11. German opera from Richard Keiser to Peter Winter CLAUDIA MAURER ZENCK, translated by Anke Caton and Simon P. Keefe 12. The lure of aria, procession and spectacle: opera in eighteenth-century London MICHAEL BURDEN 13. Music theatre in Spain RAINER KLEINERTZ 14. Opera in Sweden GREGER ANDERSSON Interlude 15. Performance in the eighteenth century JOHN IRVING Part III. Music for the Salon and Concert Room: 16. Keyboard music from Couperin to early Beethoven ROHAN STEWART-MACDONALD 17. The Serenata in the eighteenth century STEFANIE TCHAROS 18. Private music in public spheres: chamber cantata and song BERTA JONCUS 19. Handel and English oratorio EVA ZÖLLNER 20. The Overture-Suite, Concerto Grosso and Harmoniemusik in the eighteenth century STEVEN ZOHN 21. Concerto of the individual SIMON MCVEIGH 22. Eighteenth-century symphonies: an unfinished dialogue RICHARD WILL 23. The string quartet CLIFF EISEN Postlude: 24. Across the divide: currents of musical thought in Europe, c.1790-1810 SIMON P. KEEFE Appendix 1: Personalia DAVID BLACK Appendix 2: Chronology DAVID BLACK Appendix 3: Institutions in major European cities DAVID BLACK.
Editor's preface Simon P. Keefe Prelude: 1. The musical map of Europe c.1700 STEPHEN ROSE Part I. Music for the Church: 2. Catholic church music in Italy, and the Spanish and Portuguese Empires PAUL R. LAIRD 3. Catholic sacred music in Austria JEN-YEN CHEN 4. Catholic church music in France JEAN-PAUL C. MONTAGNIER 5. Lutheran church music STEPHEN ROSE 6. Protestant church music in England and America CHARLES E. BREWER Interlude 7. Listening, thinking and writing DAVID SCHROEDER Part II. Music for the Theatre: 8. Italian opera in the eighteenth century MARGARET R. BUTLER 9. Opera in Paris from Campra to Rameau LOIS ROSOW 10. An instinct for parody and a spirit for revolution: Parisian opera, 1752-1800 MICHAEL FEND 11. German opera from Richard Keiser to Peter Winter CLAUDIA MAURER ZENCK, translated by Anke Caton and Simon P. Keefe 12. The lure of aria, procession and spectacle: opera in eighteenth-century London MICHAEL BURDEN 13. Music theatre in Spain RAINER KLEINERTZ 14. Opera in Sweden GREGER ANDERSSON Interlude 15. Performance in the eighteenth century JOHN IRVING Part III. Music for the Salon and Concert Room: 16. Keyboard music from Couperin to early Beethoven ROHAN STEWART-MACDONALD 17. The Serenata in the eighteenth century STEFANIE TCHAROS 18. Private music in public spheres: chamber cantata and song BERTA JONCUS 19. Handel and English oratorio EVA ZÖLLNER 20. The Overture-Suite, Concerto Grosso and Harmoniemusik in the eighteenth century STEVEN ZOHN 21. Concerto of the individual SIMON MCVEIGH 22. Eighteenth-century symphonies: an unfinished dialogue RICHARD WILL 23. The string quartet CLIFF EISEN Postlude: 24. Across the divide: currents of musical thought in Europe, c.1790-1810 SIMON P. KEEFE Appendix 1: Personalia DAVID BLACK Appendix 2: Chronology DAVID BLACK Appendix 3: Institutions in major European cities DAVID BLACK.
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