The third edition of this acclaimed Companion provides an accessible, broadly based survey of musicals in London, New York, and other venues from the nineteenth century to the present. Existing chapters have been updated, and two new chapters added, providing a wealth of information for students and enthusiasts alike.
The third edition of this acclaimed Companion provides an accessible, broadly based survey of musicals in London, New York, and other venues from the nineteenth century to the present. Existing chapters have been updated, and two new chapters added, providing a wealth of information for students and enthusiasts alike.
1. How to create a musical: the case of Wicked Paul R. Laird; Part I. Adaptations and Transformations: before 1940: 2. American musical theatre before the twentieth century Katherine K. Preston; 3. Non-English-language musical theatre in the United States John Koegel; 4. Birth pangs, growing pains, and sibling rivalry: musical theatre in New York, 1900 20 Orly Leah Krasner; 5. American and British operetta in the 1920s: romance, nostalgia, and adventure William A. Everett; 6. Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess John Graziano; 7. The melody (and the words) linger on: American musical comedies of the 1920s and 1930s Geoffrey Block; Part II. Maturations and Formulations: 1940 70: 8. 'We said we wouldn't look back': British musical theatre, 1935 69 John Snelson; 9. The coming of the musical play: Rodgers and Hammerstein Ann Sears; 10. The successors of Rodgers and Hammerstein from the 1940s to the 1960s Thomas L. Riis and Ann Sears; 11. Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein Bruce D. Mcclung and Paul R. Laird; Part III. Evolutions and Integrations: after 1970: 12. Stephen Sondheim and the musical of the outsider Jim Lovensheimer; 13. Choreographers, directors, and the fully integrated musical Paul R. Laird; 14. From Hair to Rent and beyond: has 'rock' ever been a four-letter word on Broadway? Scott Warfield; 15. The megamusical: the creation, internationalisation, and impact of a genre Paul Prece and William A. Everett; 16. 'In this England, in these times': redefining the British musical since 1970 Miranda Lundskaer-Nielsen; 17. 'Tonight I will bewitch the world': the European musical Judith Sebesta and Laura MacDonald; 18. New horizons: the musical at the dawn of the twenty-first century Bud Coleman; Part IV. Legacies and Transformations: 19. Why do they start to sing and dance all of a sudden? Examining the film musical Graham Wood; 20. Revisiting classic musicals: revivals, films, television, and recordings Jessica Sternfeld; 21. Big dreams on the small screen: the television musical Mary Jo Lodge.
1. How to create a musical: the case of Wicked Paul R. Laird; Part I. Adaptations and Transformations: before 1940: 2. American musical theatre before the twentieth century Katherine K. Preston; 3. Non-English-language musical theatre in the United States John Koegel; 4. Birth pangs, growing pains, and sibling rivalry: musical theatre in New York, 1900 20 Orly Leah Krasner; 5. American and British operetta in the 1920s: romance, nostalgia, and adventure William A. Everett; 6. Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess John Graziano; 7. The melody (and the words) linger on: American musical comedies of the 1920s and 1930s Geoffrey Block; Part II. Maturations and Formulations: 1940 70: 8. 'We said we wouldn't look back': British musical theatre, 1935 69 John Snelson; 9. The coming of the musical play: Rodgers and Hammerstein Ann Sears; 10. The successors of Rodgers and Hammerstein from the 1940s to the 1960s Thomas L. Riis and Ann Sears; 11. Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein Bruce D. Mcclung and Paul R. Laird; Part III. Evolutions and Integrations: after 1970: 12. Stephen Sondheim and the musical of the outsider Jim Lovensheimer; 13. Choreographers, directors, and the fully integrated musical Paul R. Laird; 14. From Hair to Rent and beyond: has 'rock' ever been a four-letter word on Broadway? Scott Warfield; 15. The megamusical: the creation, internationalisation, and impact of a genre Paul Prece and William A. Everett; 16. 'In this England, in these times': redefining the British musical since 1970 Miranda Lundskaer-Nielsen; 17. 'Tonight I will bewitch the world': the European musical Judith Sebesta and Laura MacDonald; 18. New horizons: the musical at the dawn of the twenty-first century Bud Coleman; Part IV. Legacies and Transformations: 19. Why do they start to sing and dance all of a sudden? Examining the film musical Graham Wood; 20. Revisiting classic musicals: revivals, films, television, and recordings Jessica Sternfeld; 21. Big dreams on the small screen: the television musical Mary Jo Lodge.
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