Russell Jackson (ed.)

The Cambridge Companion to Shakespeare on Film

Herausgeber: Jackson, Russell

• Gebundenes Buch

Produktbeschreibung

Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This Companion is a lively collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Chapters have been revised and updated from the first edition to include the most recent films and scholarship. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.

Produktdetails

• Verlag: Cambridge University Press
• 2. Auflage
• Seitenzahl: 368
• Erscheinungstermin: 19. Mai 2008
• Englisch
• Abmessung: 235mm x 157mm x 26mm
• Gewicht: 749g
• ISBN-13: 9780521866002
• ISBN-10: 0521866006
• Artikelnr.: 21398206

Autorenporträt

Russell Jackson is Allardyce Nicoll Professor of Drama, Department of Drama and Theatre Arts at the University of Birmingham.

Inhaltsangabe

Introduction: Shakespeare, films and the marketplace Russell Jackson
Part I. Adaptation and its Contexts: 1. From play-script to screenplay Russell Jackson
2. Video and its paradoxes Michèle Willems
3. Critical junctures in Shakespeare screen history: the case of Richard III Barbara Freedman
4. Shakespeare and movie genre: the case of Hamlet Harry Keyishian
Part II. Genres and Plays: 5. The comedies on film Michael Hattaway
6. Filming Shakespeare's history: three films of Richard III H. R. Coursen
7. Hamlet, Macbeth and King Lear on film J. Lawrence Guntner
8. The tragedies of love on film Patricia Tatspaugh
Part III. Directors: 9. The Shakespeare films of Laurence Olivier Anthony Davies
10. Orson Welles and filmed Shakespeare Pamela Mason
11. Grigori Kozintsev's Hamlet and King Lear Mark Sokolyansky
12. Franco Zeffirelli and Shakespeare Deborah Cartmell
13. Flamboyant realist: Kenneth Branagh Samuel Crowl
Part IV. Critical Issues: 14. Looking at Shakespeare's women on film Carol Chillington Rutter
15. National and racial stereotypes in Shakespeare films Neil Taylor
16. Shakespeare the illusionist: filming the supernatural Neil Forsyth
17. Shakespeare's cinematic offshoots Tony Howard
Further reading
Filmography.

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Introduction: Shakespeare, films and the marketplace Russell Jackson; Part I. Adaptation and its Contexts: 1. From play-script to screenplay Russell Jackson; 2. Video and its paradoxes Michèle Willems; 3. Critical junctures in Shakespeare screen history: the case of Richard III Barbara Freedman; 4. Shakespeare and movie genre: the case of Hamlet Harry Keyishian; Part II. Genres and Plays: 5. The comedies on film Michael Hattaway; 6. Filming Shakespeare's history: three films of Richard III H. R. Coursen; 7. Hamlet, Macbeth and King Lear on film J. Lawrence Guntner; 8. The tragedies of love on film Patricia Tatspaugh; Part III. Directors: 9. The Shakespeare films of Laurence Olivier Anthony Davies; 10. Orson Welles and filmed Shakespeare Pamela Mason; 11. Grigori Kozintsev's Hamlet and King Lear Mark Sokolyansky; 12. Franco Zeffirelli and Shakespeare Deborah Cartmell; 13. Flamboyant realist: Kenneth Branagh Samuel Crowl; Part IV. Critical Issues: 14. Looking at Shakespeare's women

Rezensionen

'A fascinating analysis of a wondrous subject, this book is an essential contribution to the library of all serious film buffs and Shakespearean anoraks alike. From the Italianisation of Shakespeare via Franco Zeffirelli, right through to the rigorous historicising and politicisation of Shakespeare's media configurations (of which there are indeed many), these seventeen essays are simply crucial.' David Marx