The Cambridge Companion to Operetta
Herausgeber: Belina, Anastasia; Scott, Derek B.
Introduction Anastasia Belina and Derek B. Scott; Part I. Early Centres of
Operetta: 1. French operetta: Offenbach and company John Kendrick; 2.
Viennese Golden-Age operetta: drinking, dancing and social criticism in a
multi-ethnic empire Lisa Feurzeig; 3. London and Gilbert and Sullivan Bruno
Bower; 4. Hungarians and Hungarianisms in operetta and folk plays in the
late Habsburg and post-Habsburg era Lynn Hooker; 5. Operetta in the Czech
National Revival - the Provisional Theatre years Jan Smaczy; Part II. The
Global Expansion of Operetta: 6. Going global: the international spread of
Viennese Silver-Age operetta Stefan Frey; 7. Spain and Zarzuela Christopher
Webber; 8. Camping along the American operetta divide (on the road to the
musical play) Raymond Knapp; 9. Operetta in Russia and the USSR Anastasia
Belina; 10. Operetta in the Nordic countries (1850-1970) Pentti
Paavolainen; 11. Operetta in Greece Avra Xepapadakou; Part III. Operetta
since 1900: 12. The operetta factory: production systems of Silver-Age
Vienna Micaela Baranello; 13. Berlin operetta Tobias Becker; 14. Operetta
in Italy Valeria De Lucca; 15. Operetta in Warsaw Anastasia Belina; 16.
British operetta after Gilbert and Sullivan Derek B. Scott; 17. Operetta
during the Nazi regime Matthias Kauffmann; 18. Operetta films Derek B.
Scott; 19. 'Jazz was the dynamite that exploded the harmlessness of the
Viennese operetta!' (Interviewer: Ulrich Lenz.) Interview with Barrie
Kosky.
