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The Bundahisn, meaning primal or foundational creation, is the central Zoroastrian account of creation, cosmology, and eschatology. Redacted sometime in the ninth century CE, it is one of the most important of the surviving testaments to Middle Persian Zoroastrian literature and pre-Islamic Iranian culture. Well known in the field as an essential primary source for scholars of ancient Iran's history, religions, literatures, and languages, the Bundahisn is also a great work of literature itself, which ranks alongside the creation myths of other ancient traditions: Genesis, the Babylonian Emunah Elish, Hesiod's Theogony, and others.…mehr

Produktbeschreibung
The Bundahisn, meaning primal or foundational creation, is the central Zoroastrian account of creation, cosmology, and eschatology. Redacted sometime in the ninth century CE, it is one of the most important of the surviving testaments to Middle Persian Zoroastrian literature and pre-Islamic Iranian culture. Well known in the field as an essential primary source for scholars of ancient Iran's history, religions, literatures, and languages, the Bundahisn is also a great work of literature itself, which ranks alongside the creation myths of other ancient traditions: Genesis, the Babylonian Emunah Elish, Hesiod's Theogony, and others.
Autorenporträt
Domenico Agostini is a Senior Lecturer in Ancient History at Tel Aviv University. He has been the recipient of the Prix Pirasteh in Persian Studies at the Académie des Inscriptions et Belles-Lettres, Paris (2008) and the Polonsky fellowship for Outstanding postdoctoral researchers (2013-2017). He has published extensively in the field of the Zoroastrian apocalyptic ideas and Middle Persian literature. Samuel Thrope is a research fellow at the Ezri Center for Iran and Persian Gulf Studies at the University of Haifa. He earned his PhD at the University of California, Berkeley, and was a fellow of the Martin Buber Society at Hebrew University. His translation of Persian writer Jalal Al-e Ahmad's The Israeli Republic was published in 2017, and he is co-editor, with Roberta Cassagrande-Kim and Raquel Ukeles, of the 2018 exhibition catalogue Romance and Reason: Islamic Transformations of the Classical Past.