This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns…mehr
This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in a global historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.
Sarah Kraaz is Emerita Professor of Music, Ripon College, USA. She is editor of Music and War in the United States (2017). Charlotte de Mille is Associate Lecturer at The Courtauld Institute, UK, and curates The Courtauld Gallery's music programme. She is author of Bergson in Britain: Philosophy and Modernist Art (2023), co-editor of Bergson and the Art of Immanence (2013) and editor of Music and Modernism, c. 1849-1950 (2011).
Inhaltsangabe
List of Illustrations Contributors Introduction Charlotte de Mille The Courtauld Institute UK and Sarah Mahler Kraaz Ripon College USA Section One: Ways of Perceiving Section Introduction Charlotte de Mille The Courtauld Institute UK 1. Art music and theology in the Lutheran church Margit Thøfner Open University UK 2. 'When silence speaks': Sibelius Music Landscape Daniel Grimley University of Oxford UK 3. Patience between the Arts(From a Mountain of Monumental Waste) Lydia Goehr Columbia University USA and Daniel Herwitz University of Michigan USA Section Two: Activism Section Introduction Sarah Mahler Kraaz Ripon College USA 4. Madame Campan's Portraits or Self-portrait of a feminist musicologist Rebecca Dowd Geoffroy-Schwinden University of North Texas USA 5. Racist and Ethnic Stereotypes in the Arts Travis Nygard Ripon College USA 6. Feminism Ann-Marie Hanlon University of Galway Ireland 7. Queerness in American Music Education: A Panoptic View Josh Palkki Arizona State University USA Section Three: Access: Socio-Economic / Environment and Sustainability Section Introduction Charlotte de Mille The Courtauld Institute UK 8. Whose museum? Applications in interdisciplinary thinking Mark O'Neill Glasgow University UK 9. Access and Engagement: Classical music in the pandemic and beyond Sarah Mahler Kraaz Ripon College USA 10. Toward Social Sustainability: Ethics and Community Engagement in Heritage Management Annalisa Bolin Linnaeus University Sweden and David Nkusi Rwanda Cultural Heritage Academy 11. Safeguarding the intangible: communities cultures and ecomuseum practices Peter Davis Newcastle University UK 12. Ecotones and Climate Change in Contemporary Eco Art Mark Cheetham University of Toronto Canada 13. Western Art Music and the Aestheticization of Climate Change: The Case of John Luther Adams's Become Ocean Tyler Kinnear Independent Scholar USA Section Four: Intersecting Cultures Section Introduction: Juliana M. Pistorius University College London UK 14. Globalisation: Voluspa Jarpa's Altered Views and The Hegemonic Museum Mark Rectanus Iowa State University USA 15. Cultural Sound Mapping in Bern: Sound-Based Ethnomusicological Research in the 21st Century Britta Sweers University of Bern Switzerland 16. Unconventionally confrontational: Radicalized Asian affects diasporic aesthetics and the revival of Cambodian (American) rock music Runchao Liu University of Denver USA 17. Anti-Colonial Activism and the Canadian Opera Company 2017-2022 Rena Roussin University of Toronto Canada 18. Musical Instruments and "Migration": A Reinvestigation of the Lutes in the Shosoin Collection Ingrid M. Furniss Lafayette College USA Section Five: Intersecting Practice Section Introduction Sarah Mahler Kraaz Ripon College USA 19. Landscape/Music James Weeks University of Durham UK 20. Colour Music and Synaesthesia Deborah Pritchard composer and University of Oxford UK 21. William Kentridge Provisionality in process Interview by Sarah Mahler Kraaz Ripon College USA 22. Peter Sellars St. Matthew Passion opera Interview by Sarah Mahler Kraaz Ripon College USA 23. Hooligan Art Community in Conversation with Dr Charlotte De Mille The Courtauld Institute of Art November 2022 Charlotte de Mille The Courtauld Institute of Art UK 24. Curating Glyndebourne Nerissa Taysom Glyndebourne Festival Opera East Sussex UK 25. Curating Music at the Courtauld Charlotte de Mille The Courtauld Institute of Art UK Appendix 1: Digital Resources Michelle Urberg musicologist and librarian Index
List of Illustrations Contributors Introduction Charlotte de Mille The Courtauld Institute UK and Sarah Mahler Kraaz Ripon College USA Section One: Ways of Perceiving Section Introduction Charlotte de Mille The Courtauld Institute UK 1. Art music and theology in the Lutheran church Margit Thøfner Open University UK 2. 'When silence speaks': Sibelius Music Landscape Daniel Grimley University of Oxford UK 3. Patience between the Arts(From a Mountain of Monumental Waste) Lydia Goehr Columbia University USA and Daniel Herwitz University of Michigan USA Section Two: Activism Section Introduction Sarah Mahler Kraaz Ripon College USA 4. Madame Campan's Portraits or Self-portrait of a feminist musicologist Rebecca Dowd Geoffroy-Schwinden University of North Texas USA 5. Racist and Ethnic Stereotypes in the Arts Travis Nygard Ripon College USA 6. Feminism Ann-Marie Hanlon University of Galway Ireland 7. Queerness in American Music Education: A Panoptic View Josh Palkki Arizona State University USA Section Three: Access: Socio-Economic / Environment and Sustainability Section Introduction Charlotte de Mille The Courtauld Institute UK 8. Whose museum? Applications in interdisciplinary thinking Mark O'Neill Glasgow University UK 9. Access and Engagement: Classical music in the pandemic and beyond Sarah Mahler Kraaz Ripon College USA 10. Toward Social Sustainability: Ethics and Community Engagement in Heritage Management Annalisa Bolin Linnaeus University Sweden and David Nkusi Rwanda Cultural Heritage Academy 11. Safeguarding the intangible: communities cultures and ecomuseum practices Peter Davis Newcastle University UK 12. Ecotones and Climate Change in Contemporary Eco Art Mark Cheetham University of Toronto Canada 13. Western Art Music and the Aestheticization of Climate Change: The Case of John Luther Adams's Become Ocean Tyler Kinnear Independent Scholar USA Section Four: Intersecting Cultures Section Introduction: Juliana M. Pistorius University College London UK 14. Globalisation: Voluspa Jarpa's Altered Views and The Hegemonic Museum Mark Rectanus Iowa State University USA 15. Cultural Sound Mapping in Bern: Sound-Based Ethnomusicological Research in the 21st Century Britta Sweers University of Bern Switzerland 16. Unconventionally confrontational: Radicalized Asian affects diasporic aesthetics and the revival of Cambodian (American) rock music Runchao Liu University of Denver USA 17. Anti-Colonial Activism and the Canadian Opera Company 2017-2022 Rena Roussin University of Toronto Canada 18. Musical Instruments and "Migration": A Reinvestigation of the Lutes in the Shosoin Collection Ingrid M. Furniss Lafayette College USA Section Five: Intersecting Practice Section Introduction Sarah Mahler Kraaz Ripon College USA 19. Landscape/Music James Weeks University of Durham UK 20. Colour Music and Synaesthesia Deborah Pritchard composer and University of Oxford UK 21. William Kentridge Provisionality in process Interview by Sarah Mahler Kraaz Ripon College USA 22. Peter Sellars St. Matthew Passion opera Interview by Sarah Mahler Kraaz Ripon College USA 23. Hooligan Art Community in Conversation with Dr Charlotte De Mille The Courtauld Institute of Art November 2022 Charlotte de Mille The Courtauld Institute of Art UK 24. Curating Glyndebourne Nerissa Taysom Glyndebourne Festival Opera East Sussex UK 25. Curating Music at the Courtauld Charlotte de Mille The Courtauld Institute of Art UK Appendix 1: Digital Resources Michelle Urberg musicologist and librarian Index
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