11,99 €
inkl. MwSt.

Versandfertig in 1-2 Wochen
payback
6 °P sammeln
  • Broschiertes Buch

2013 Reprint of 1912 Edition. Full facsimile of the original text, not reproduced with Optical Recognition Software. "The Autobiography of an Ex-Colored Man" by James Weldon Johnson is the fictional telling of the story of a young biracial man, referred to only as the "Ex-Colored Man", living in post Reconstruction era America in the late nineteenth and early twentieth century. The Ex-Colored Man was forced to choose between embracing his black heritage and culture by expressing himself through the African-American musical genre ragtime, or by "passing" and living obscurely as a mediocre…mehr

Produktbeschreibung
2013 Reprint of 1912 Edition. Full facsimile of the original text, not reproduced with Optical Recognition Software. "The Autobiography of an Ex-Colored Man" by James Weldon Johnson is the fictional telling of the story of a young biracial man, referred to only as the "Ex-Colored Man", living in post Reconstruction era America in the late nineteenth and early twentieth century. The Ex-Colored Man was forced to choose between embracing his black heritage and culture by expressing himself through the African-American musical genre ragtime, or by "passing" and living obscurely as a mediocre middle-class white man. Though the title suggests otherwise, the book is not an autobiography but a novel. However, the book is based on the lives of people Johnson knew and from events in his own life. Johnson's text is an example of a "roman à clef."
Autorenporträt
James Weldon Johnson (1871-1938) was an American writer, diplomat, musician, public intellectual, and civil rights leader. The first African American executive secretary of the National Association for the Advancement of Colored People (NAACP) and a major figure of the Harlem Renaissance, he was known for his poetry, novels, anthologies, and editorial writings. From 1906 to 1913 he served as President Theodore Roosevelt's U.S. consul in Venezuela and Nicaragua. In 1931 he was appointed the Adam K. Spence Professor of Creative Literature at Fisk University in Nashville, Tennessee and in 1934 he became New York University's first African American professor.