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Founded in 1916 in the wake of the scandalous Armory Show, the Arts Club of Chicago aimed to present the city with new images, sounds, and ideas. Conceived as an exhibition and social space that would cultivate sophisticated conversations around a range of media, the Arts Club has maintained its core interest in presenting culture "in the making." Today, it continues to serve as a key venue in Chicago for the presentation of work by the national and international avant-garde, including such artistic luminaries as Sharon Lockhart, Josiah McElheny, Pedro Cabrita Reis, and many more. This volume…mehr

Produktbeschreibung
Founded in 1916 in the wake of the scandalous Armory Show, the Arts Club of Chicago aimed to present the city with new images, sounds, and ideas. Conceived as an exhibition and social space that would cultivate sophisticated conversations around a range of media, the Arts Club has maintained its core interest in presenting culture "in the making." Today, it continues to serve as a key venue in Chicago for the presentation of work by the national and international avant-garde, including such artistic luminaries as Sharon Lockhart, Josiah McElheny, Pedro Cabrita Reis, and many more. This volume addresses the visual art, music, theater, dance, architecture, and literature presented by the Club over its one-hundred-year history with new scholarship by leading writers in each field. Janine Mileaf and Susan F. Rossen offer an in-depth look at the tastemakers of modernism in the city, from Sherwood Anderson and Gertrude Stein to local cultural player Rue Winterbotham Carpenter. A dynamic exploration of the intertwined histories of the Arts Club and Chicago, this colorfully illustrated book celebrates both an institution and a city that have remained innovative and forward-thinking throughout the decades.  
Autorenporträt
Janine Mileaf is executive director of the Arts Club of Chicago and the author of Please Touch: Dada and Surrealist Objects After the Readymade. Susan F. Rossen, who directed the Publications Department at the Art Institute of Chicago for twenty-eight years, is a museum-publishing consultant and freelance editor.