The Art Songs of Louise Talma presents some of Talma's finest compositions and those most frequently performed during her life. It includes pieces appropriate for beginning, intermediate, and advanced singers and collaborative pianists. The songs include text settings of American, English, and French poets and writers, including Native
The Art Songs of Louise Talma presents some of Talma's finest compositions and those most frequently performed during her life. It includes pieces appropriate for beginning, intermediate, and advanced singers and collaborative pianists. The songs include text settings of American, English, and French poets and writers, including Native
Kendra Preston Leonard has her Ph.D. from the University of Sunderland and was an instructor of Musicology at Westminster Choir College, 2009-2011.
Inhaltsangabe
CHAPTER 1: Reading Talma's Songs A Brief Overview of Talma's Life Talma's Compositional Language Appropriate Research Methodologies Concerning This Volume CHAPTER 2: Songs of Mourning and Love "Invocation to the Rain" (1925) "On the Surface of Things" (1926-1927) "When the Storm Breaks" (1927-1928) "Song in the Songless" (1928) Five Sonnets from the Portuguese "XXI. Say Over Again" (1934) "VII. The Face of All the World Is Changed" (1934) "XXII. When Our Two Souls Stand Up" (1934) "I. I Thought Once How Theocritus Had Sung" (1934) "XXXIII. Yes, Call Me by My Pet Name" (1934) Vocal Ranges in the Early Songs CHAPTER 3: Farewell to Youth Terre de France (1945) "Mère, voici vos fils" (1943) "Sonnet" (1945) "Ballade" (1945) "Ode" (1945) "Adieux à la Meuse" (1945) "Letter to St. Peter" (1945) Vocal Range CHAPTER 4: A Haunted Psyche Seven Songs "One Need Not Be a Chamber to Be Haunted" (1941) "Rain Song" (1973) "Glory Be to God for Dappled Things" (1949) "Spring and Fall: To a Young Child" (1946) "Sonnet: Carrion Comfort" (1950) "Sonnet: I Wake and Feel the Fell of the Dark" (1946) "Leap before You Look" (1945) CHAPTER 5: Metaphors of Music Infanta Marina "Infanta Marina" (1988) "The Brave Man" (1988) "Domination of Black" (1988) "Ploughing on Sunday" (1988) "Lunar Paraphrase" (1988) "Hibiscus on the Sleeping Shores" (1988) "A Load of Sugar-cane" (1988) "Re-statement of Romance" (1990) "The Pleasures of Merely Circulating" (1990) "Finis" (1993) BIBLOGRAPHY: Cited Sources and Suggested Readings APPENDIX 1: Sources on the Vocal Works of Louise Talma APPENDIX 2: The Complete Works for Voice by Louise Talma APPENDIX 3: Recordings of Talma's Vocal Works INDEX 1: Individuals, Places, and Ideas INDEX 2: Titles of Musical Compositions
CHAPTER 1: Reading Talma's Songs A Brief Overview of Talma's Life Talma's Compositional Language Appropriate Research Methodologies Concerning This Volume CHAPTER 2: Songs of Mourning and Love "Invocation to the Rain" (1925) "On the Surface of Things" (1926-1927) "When the Storm Breaks" (1927-1928) "Song in the Songless" (1928) Five Sonnets from the Portuguese "XXI. Say Over Again" (1934) "VII. The Face of All the World Is Changed" (1934) "XXII. When Our Two Souls Stand Up" (1934) "I. I Thought Once How Theocritus Had Sung" (1934) "XXXIII. Yes, Call Me by My Pet Name" (1934) Vocal Ranges in the Early Songs CHAPTER 3: Farewell to Youth Terre de France (1945) "Mère, voici vos fils" (1943) "Sonnet" (1945) "Ballade" (1945) "Ode" (1945) "Adieux à la Meuse" (1945) "Letter to St. Peter" (1945) Vocal Range CHAPTER 4: A Haunted Psyche Seven Songs "One Need Not Be a Chamber to Be Haunted" (1941) "Rain Song" (1973) "Glory Be to God for Dappled Things" (1949) "Spring and Fall: To a Young Child" (1946) "Sonnet: Carrion Comfort" (1950) "Sonnet: I Wake and Feel the Fell of the Dark" (1946) "Leap before You Look" (1945) CHAPTER 5: Metaphors of Music Infanta Marina "Infanta Marina" (1988) "The Brave Man" (1988) "Domination of Black" (1988) "Ploughing on Sunday" (1988) "Lunar Paraphrase" (1988) "Hibiscus on the Sleeping Shores" (1988) "A Load of Sugar-cane" (1988) "Re-statement of Romance" (1990) "The Pleasures of Merely Circulating" (1990) "Finis" (1993) BIBLOGRAPHY: Cited Sources and Suggested Readings APPENDIX 1: Sources on the Vocal Works of Louise Talma APPENDIX 2: The Complete Works for Voice by Louise Talma APPENDIX 3: Recordings of Talma's Vocal Works INDEX 1: Individuals, Places, and Ideas INDEX 2: Titles of Musical Compositions
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
