Andere Kunden interessierten sich auch für
![Painting Labour in Scotland and Europe, 1850-1900]( "Painting Labour in Scotland and Europe, 1850-1900")
Painting Labour in Scotland and Europe, 1850-1900183,99 €![Victorian Perceptions of Renaissance Architecture]( "Victorian Perceptions of Renaissance Architecture")
Victorian Perceptions of Renaissance Architecture183,99 €![Suffering and Sentiment in Romantic Military Art]( "Suffering and Sentiment in Romantic Military Art")
Suffering and Sentiment in Romantic Military Art183,99 €![Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism]( "Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism")
Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism183,99 €![Masters and Pupils: The Artistic Succession from Perugino to Manet 1480-1880]( "Masters and Pupils: The Artistic Succession from Perugino to Manet 1480-1880")
Masters and Pupils: The Artistic Succession from Perugino to Manet 1480-188082,99 €![Sculptors and Design Reform in France, 1848 to 1895]( "Sculptors and Design Reform in France, 1848 to 1895")
Sculptors and Design Reform in France, 1848 to 1895183,99 €![A Theory of the Tache in Nineteenth-Century Painting]( "A Theory of the Tache in Nineteenth-Century Painting")
A Theory of the Tache in Nineteenth-Century Painting171,99 €
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, this title argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways.
Drawing on art, literary, journalism, and publishing histories, this study argues that fine art practices of the Victorian period were influenced by the media culture of art publishing and journalism in formative ways, perhaps more than at any other time in the history of English art. The cultural phenomenon of the Art-Journal print is shown to be a key connector in the art appreciation of the era. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.
Drawing on art, literary, journalism, and publishing histories, this study argues that fine art practices of the Victorian period were influenced by the media culture of art publishing and journalism in formative ways, perhaps more than at any other time in the history of English art. The cultural phenomenon of the Art-Journal print is shown to be a key connector in the art appreciation of the era. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.