By exploring the "aesthetics of shadow" in Japanese cinema in the first half of the twentieth century and treating cinematographers and lighting designers as essential collaborators in moviemaking, Daisuke Miyao reinterprets Japanese film history.
By exploring the "aesthetics of shadow" in Japanese cinema in the first half of the twentieth century and treating cinematographers and lighting designers as essential collaborators in moviemaking, Daisuke Miyao reinterprets Japanese film history.
Acknowledgments ix Introduction. What is the Aesthetics of Shadow? 1 1. Lighting and Capitalist-Industrial Modernity: Shochiku and Hollywood 15 2. Flashes of the Sword and the Star: Shochiku and Jidaigeki 67 3. Street Films: Shochiku and Germany 119 4. The Aesthetics of Shadow: Shochiku, Tohu, and Japan 173 Conclusion. The Cinematography of Miyagawa Kazuo 255 Notes 283 Bibliography 329 Index 365
Acknowledgments ix Introduction. What is the Aesthetics of Shadow? 1 1. Lighting and Capitalist-Industrial Modernity: Shochiku and Hollywood 15 2. Flashes of the Sword and the Star: Shochiku and Jidaigeki 67 3. Street Films: Shochiku and Germany 119 4. The Aesthetics of Shadow: Shochiku, Tohu, and Japan 173 Conclusion. The Cinematography of Miyagawa Kazuo 255 Notes 283 Bibliography 329 Index 365
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
