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The Aesthetics Principles of Iranian Handmade CarpetsIranian Handmade Carpets is one the oldest fields of Iranian Arts and the reasons for its eternity are called here the aesthetic of Iranian rugs. Evaluation about aesthetics aspects of Iranian carpets consist of both sensual and conceptual concepts. For this judgment we need scales for analyzing both industrial artistic aspects of carpets. Here all these factors are mentioned without separating nomadic, rural and urban rugs. Key Words: "Handmade Persian Carpet", "Aesthetics Principles of Persian rugs" Analysis Carpet aesthetics is a form of…mehr

Produktbeschreibung
The Aesthetics Principles of Iranian Handmade CarpetsIranian Handmade Carpets is one the oldest fields of Iranian Arts and the reasons for its eternity are called here the aesthetic of Iranian rugs. Evaluation about aesthetics aspects of Iranian carpets consist of both sensual and conceptual concepts. For this judgment we need scales for analyzing both industrial artistic aspects of carpets. Here all these factors are mentioned without separating nomadic, rural and urban rugs. Key Words: "Handmade Persian Carpet", "Aesthetics Principles of Persian rugs" Analysis Carpet aesthetics is a form of logical approach to the beauties of Persian handmade works. The beauties of traditional Iranian arts such as carpet weaving include meaning and form (apparent of the work) not merely subjective since the raw material of its judgment are in our imagination and fancy. In such cases, one can consider a cognitive aspect for the work and for the existence of the producer.That is a kind of critiquing (description, interpretation and assessment) a work of art when we want to talk about its aesthetics features. Moreover, the sociological and psychological aspects of the work are studied .
Autorenporträt
Nazila Daryaie ist eine iranische Forscherin für orientalische Kunst und Teppiche, die am Institut für Geistes- und Kulturwissenschaften des Ministeriums für Wissenschaft, Forschung und Technologie arbeitet. Sie hat einen Ph.D. in Kunstforschung von der Azahra University. Sie hat intensiv im Bereich Teppichdesign und -ästhetik gearbeitet und viel auf diesem Gebiet geschrieben.