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"In this compelling study, Alison Ross persuasively elaborates a new version of the claim that Kant's aesthetic theory underlies the most radical innovations of modern European philosophy. In focusing on the idea of 'presentation' as the joining of meaning and sensuous matter, Ross has discovered a theme that orients the fundamental gestures of Heidegger's philosophy as emphatically as it does his French followers. This book will prove indispensable for future discussions of the aesthetic formation of critical philosophy." --J.M. Bernstein, New School for Social Research

Produktbeschreibung
"In this compelling study, Alison Ross persuasively elaborates a new version of the claim that Kant's aesthetic theory underlies the most radical innovations of modern European philosophy. In focusing on the idea of 'presentation' as the joining of meaning and sensuous matter, Ross has discovered a theme that orients the fundamental gestures of Heidegger's philosophy as emphatically as it does his French followers. This book will prove indispensable for future discussions of the aesthetic formation of critical philosophy." --J.M. Bernstein, New School for Social Research
Autorenporträt
Alison Ross is Lecturer in Critical Theory in the Centre for Comparative Literature and Cultural Studies, Monash University, Australia.