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Not in the Chicago orphanage where he is sent by his mother, not in High School (too brainy), not even on the streets. Human attachments? Yes, he has them, but they are like everything else in his life, singular and irregular. People who know him say that he drowns his feeling in his face' and that he has a Mongolian 'masked look'. But though Harry stands sapart, he has always been a most keen observer, listener, recorder, and interpreter, and none of this is lost on the Chicago billionaire, Sigmund Adletsky, who takes Harry into his 'brain trust'. He retains Harry to advise him. They discuss…mehr

Produktbeschreibung
Not in the Chicago orphanage where he is sent by his mother, not in High School (too brainy), not even on the streets. Human attachments? Yes, he has them, but they are like everything else in his life, singular and irregular. People who know him say that he drowns his feeling in his face' and that he has a Mongolian 'masked look'. But though Harry stands sapart, he has always been a most keen observer, listener, recorder, and interpreter, and none of this is lost on the Chicago billionaire, Sigmund Adletsky, who takes Harry into his 'brain trust'. He retains Harry to advise him. They discuss ordinary things - they gossip together. Old Adletsky had set feelings aside while he amassed his vast fortune. The old man is perceptive hat he divines the secrets behind Harry's mask brings him together with the one person Harry has loved dumbly for forty years.
Amy Wustrin has not exactly stood apart from the sexual revolution while waiting for Harry to come wooing.
Far from remaining the static object of his fantasy, she has moved about in the real world, from one marriage to another, from rich to broke, from hot high-school girl to correct matron. Still, in Amy, Harry sees what he calls his 'actual'. Harry has had his opportunities with Amy, but it is not until he finds himself at the cemetery with her for the exhumation and rubiral of her husband that he feels free to speak out. Here, in a wise and dazzling new work of fiction, a Nobel Laureate writes writes comically and tragically about the tenacity of first love.
Autorenporträt
Saul Bellow was born in 1915 to Russian émigré parents. As a young child in Chicago, Bellow was raised on books - the Old Testament, Shakespeare, Tolstoy and Chekhov - and learned Hebrew and Yiddish. He set his heart on becoming a writer after reading Uncle Tom's Cabin, contrary to his mother's hopes that he would become a rabbi or a concert violinist. He was educated at the University of Chicago and North-Western University, graduating in Anthropology and Sociology; he then went on to work for the Encyclopaedia Britannica. Bellow published his first novel, The Dangling Man, in 1944; this was followed, in 1947, by The Victim. In 1948 a Guggenheim Fellowship enabled Bellow to travel to Paris, where he wrote The Adventures of Augie March, published in 1953. Henderson The Rain King (1959) brought Bellow worldwide fame, and in 1964, his best-known novel, Herzog, was published and immediately lauded as a masterpiece, 'a well-nigh faultless novel' (New Yorker). Saul Bellow's dazzling career as a novelist was celebrated during his lifetime with an unprecedented array of literary prizes and awards, including the Pulitzer Prize, three National Book Awards, and the Gold Medal for the Novel. In 1976 he was awarded a Nobel Prize 'for the human understanding and subtle analysis of contemporary culture that are combined in his work'. Bellow's death in 2005 was met with tribute from writers and critics around the world, including James Wood, who praised 'the beauty of this writing, its music, its high lyricism, its firm but luxurious pleasure in language itself'.