Investigates ways in which the textual and the visual combine in certain French works to reconfigure ideas and images of self-representation Natalie Edwards is an assistant professor of French at Wagner College and coeditor of This Self Which Is Not One:¿Women¿s Life Writing in French. Amy L. Hubbell is an associate professor of French at Kansas State University, lecturer in French at the University of Queensland, and the author of ¿ la recherche d¿un emploi: Business French in a Communicative Context. Ann Miller is a university fellow at the University of Leicester and the author of…mehr
Investigates ways in which the textual and the visual combine in certain French works to reconfigure ideas and images of self-representationNatalie Edwards is an assistant professor of French at Wagner College and coeditor of This Self Which Is Not One:¿Women¿s Life Writing in French. Amy L. Hubbell is an associate professor of French at Kansas State University, lecturer in French at the University of Queensland, and the author of ¿ la recherche d¿un emploi: Business French in a Communicative Context. Ann Miller is a university fellow at the University of Leicester and the author of Reading Bande Dessin¿ Critical Approaches to French-Language Comic Strip .
Natalie Edwards is an assistant professor of French at Wagner College and coeditor of This Self Which Is Not One: Women's Life Writing in French. Amy L. Hubbell is an associate professor of French at Kansas State University, lecturer in French at the University of Queensland, and the author of À la recherche d'un emploi: Business French in a Communicative Context. Ann Miller is a university fellow at the University of Leicester and the author of Reading Bande Dessinée: Critical Approaches to French-Language Comic Strip.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction: Textual and Visual Selves Natalie Edwards, Amy L. Hubbell, and Ann Miller 1. Beyond Autobiography Véronique Montémont 2. Chronicles of Intimacy: Photography in Autobiographical Projects Shirley Jordan 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux and Marc Marie's L'Usage de la photo Natalie Edwards 4. The Photobiographical Today: Signs of an Identity Crisis? Floriane Place-Verghnes 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels Erica L. Johnson 6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne Johnnie Gratton 7. Viewing the Past through a "Nostalgeric" Lens: Pied-Noir Photodocumentaries Amy L. Hubbell 8. Georges Perec, Memory, and Photography Peter Wagstaff 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda's Les Glaneurs et la glaneuse Agnès Calatayud 10. Autobiography in Bande Dessinée Ann Miller Contributors Index
List of Illustrations Acknowledgments Introduction: Textual and Visual Selves Natalie Edwards, Amy L. Hubbell, and Ann Miller 1. Beyond Autobiography Véronique Montémont 2. Chronicles of Intimacy: Photography in Autobiographical Projects Shirley Jordan 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux and Marc Marie's L'Usage de la photo Natalie Edwards 4. The Photobiographical Today: Signs of an Identity Crisis? Floriane Place-Verghnes 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels Erica L. Johnson 6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne Johnnie Gratton 7. Viewing the Past through a "Nostalgeric" Lens: Pied-Noir Photodocumentaries Amy L. Hubbell 8. Georges Perec, Memory, and Photography Peter Wagstaff 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda's Les Glaneurs et la glaneuse Agnès Calatayud 10. Autobiography in Bande Dessinée Ann Miller Contributors Index
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