Through new readings of works including Lord Jim and The Portrait of a Lady , Artese demonstrates how the cultural conditions that worked against testimony fed into a nascent conflict about the meaning of modernism itself.
Through new readings of works including Lord Jim and The Portrait of a Lady , Artese demonstrates how the cultural conditions that worked against testimony fed into a nascent conflict about the meaning of modernism itself.
Brian Artese is a lecturer in the Department of English at Kennesaw State University.
Inhaltsangabe
Introduction 1 “Speech Was of No Use”: Conrad, a New Journalism, and the Critical Abjection of Testimony 2 Theater of Incursion and Unveiling I: Home 3 Overhearing Testimony: James in the Shadow of Sentimentalism 4 “Abominable Confidence” from The Nigger of the “Narcissus” to Lord Jim: Toward a New Sympathetic Novel 5 Theater of Incursion and Unveiling II: Empire Notes Works Cited
Introduction 1 “Speech Was of No Use”: Conrad, a New Journalism, and the Critical Abjection of Testimony 2 Theater of Incursion and Unveiling I: Home 3 Overhearing Testimony: James in the Shadow of Sentimentalism 4 “Abominable Confidence” from The Nigger of the “Narcissus” to Lord Jim: Toward a New Sympathetic Novel 5 Theater of Incursion and Unveiling II: Empire Notes Works Cited
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