In this valuable study, the bass and its technological mediation are shown to have driven changes in jazz language, musical style, and even transformed creative hierarchies in ways that have been largely overlooked.
In this valuable study, the bass and its technological mediation are shown to have driven changes in jazz language, musical style, and even transformed creative hierarchies in ways that have been largely overlooked.
Peter Dowdall is a former New York City bassist and recording engineer and is currently teaching at the University of Adelaide, Elder Conservatorium of Music.
Inhaltsangabe
Introduction. 1. The Bass and the Early Mechanical Roots of Jazz (1915 1930) 2. The Bass, Technology and the Development of the Rhythm Section (1930 1945) 3. The Spoils of War and the Jazz Bass: Tape Recorders and Editing (1945 1960) 4. The Electrification of the Bass: Behold the Illegitimate Cousin (1954 1970) 5. The Jazz Bass, Multi Track Recording Technology and Fusion (1970s) 6. Jaco Pastorius: The Electric Jazz Bass Attains Respectability (1976 1985) 7. The Young Lions and the Technological Backlash (1980 1990) 8. Pro Tools, Computers and the Bass (1990 2005) 9. The Future of the Jazz Bassist (2005 2012) Conclusion.
Introduction. 1. The Bass and the Early Mechanical Roots of Jazz (1915 1930) 2. The Bass, Technology and the Development of the Rhythm Section (1930 1945) 3. The Spoils of War and the Jazz Bass: Tape Recorders and Editing (1945 1960) 4. The Electrification of the Bass: Behold the Illegitimate Cousin (1954 1970) 5. The Jazz Bass, Multi Track Recording Technology and Fusion (1970s) 6. Jaco Pastorius: The Electric Jazz Bass Attains Respectability (1976 1985) 7. The Young Lions and the Technological Backlash (1980 1990) 8. Pro Tools, Computers and the Bass (1990 2005) 9. The Future of the Jazz Bassist (2005 2012) Conclusion.
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