Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. An array of contributors reflect on the challenges of teaching electronic music while highlighting pedagogical strategies.
Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. An array of contributors reflect on the challenges of teaching electronic music while highlighting pedagogical strategies.
Blake Stevens is Associate Professor of Music History at the College of Charleston.
Inhaltsangabe
Introduction: Narrative Histories, "Real" Music, and the Digital Vernacular (BLAKE STEVENS) / PART I: Analytical, Descriptive, and Creative Strategies / 1. Then and Now: A Practical Guide for Introducing Electronic Music (ROBERT McCLURE) / 2. Parametric Analysis: An Early Tool for Analyzing Electronic Music (ANDREW SELLE) / 3. Analyzing Electronic Music: Uncovering the Original Conditions of Production (MARC BATTIER) / 4. Sound Design and Compositional Process in Skrillex: From Minimalism and FM Synthesis to Dubstep (RISHABH RAJAN) / 5. Teaching Principles of Interactive Sound: A Practice-Based Approach (LUCY ANN HARRISON) / 6. Algorithmic Composition: Implementations in Western Tonal Art Music, Video Games, and Other Music Technologies (V.J. MANZO) / PART II: Unifying the Curriculum / 7. It's Not (Just) about History and, by the Way, Which History? (LEIGH LANDY) / PART III: Critical Interventions and Methods / 8. Posthuman Sound Design: Describing Hybridity, Distributed Cognition, and Mutation (PATTI KILROY) / 9. Composing by Hacking: Technology Appropriation as a Pedagogical Tool for Electronic Music (RAUL MASU AND FABIO MORREALE) / 10. Listening to and Sampling the Land: On the Decolonization of Electronic Music Pedagogy (KATE GALLOWAY) / 11. Technological Mediation and Traditional Culture in Chinese Electroacoustic Music (ANNIE YEN-LING LIU AND YANG YINUO) / 12. Sound and Image in New Media Art (MARIAN MAZZONE)
Introduction: Narrative Histories, "Real" Music, and the Digital Vernacular (BLAKE STEVENS) / PART I: Analytical, Descriptive, and Creative Strategies / 1. Then and Now: A Practical Guide for Introducing Electronic Music (ROBERT McCLURE) / 2. Parametric Analysis: An Early Tool for Analyzing Electronic Music (ANDREW SELLE) / 3. Analyzing Electronic Music: Uncovering the Original Conditions of Production (MARC BATTIER) / 4. Sound Design and Compositional Process in Skrillex: From Minimalism and FM Synthesis to Dubstep (RISHABH RAJAN) / 5. Teaching Principles of Interactive Sound: A Practice-Based Approach (LUCY ANN HARRISON) / 6. Algorithmic Composition: Implementations in Western Tonal Art Music, Video Games, and Other Music Technologies (V.J. MANZO) / PART II: Unifying the Curriculum / 7. It's Not (Just) about History and, by the Way, Which History? (LEIGH LANDY) / PART III: Critical Interventions and Methods / 8. Posthuman Sound Design: Describing Hybridity, Distributed Cognition, and Mutation (PATTI KILROY) / 9. Composing by Hacking: Technology Appropriation as a Pedagogical Tool for Electronic Music (RAUL MASU AND FABIO MORREALE) / 10. Listening to and Sampling the Land: On the Decolonization of Electronic Music Pedagogy (KATE GALLOWAY) / 11. Technological Mediation and Traditional Culture in Chinese Electroacoustic Music (ANNIE YEN-LING LIU AND YANG YINUO) / 12. Sound and Image in New Media Art (MARIAN MAZZONE)
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