Using a commentary on the influential text, the Mañju¿r¿-n¿masäg¿ti, 'The Chanting of the Names of Mañju¿r¿', this book deals with Buddhist tantric meditation practice and its doctrinal context in early-medieval India. The commentary was written by the 8th-9th century Indian tantric scholar Vil¿savajra, and the book contains a translation of th
Using a commentary on the influential text, the Mañju¿r¿-n¿masäg¿ti, 'The Chanting of the Names of Mañju¿r¿', this book deals with Buddhist tantric meditation practice and its doctrinal context in early-medieval India. The commentary was written by the 8th-9th century Indian tantric scholar Vil¿savajra, and the book contains a translation of th
Anthony Tribe is an independent scholar with a research specialization in the history and development of tantric Buddhism in India. He is the co-author of Buddhist Thought: A Complete Introduction to the Indian Tradition (2012), also published by Routledge.
Inhaltsangabe
Part 1: Introductions Overview 1. Contexts 2. Vilâsavajra: locating the NMAA's author 3. The Nâmasägîti 4. Vilâsavajra's NMAA: overviews and remarks 5. The NMAA's mä ala in Himalayan Art Part 2: Vilâsavajra's Nâmamantrârthâvalokinî: an annotated translation of chapters 1-5 Conventions in the translation Chapter 1: On 'The Request for Instruction' Chapter 2: On 'The Reply' Chapter 3: On 'The Survey of the Six Families' Chapter 4: On 'The Method of Awakening According to the Mâyâjâla' Chapter 5: On 'The Vajradhâtu-Mahâmä ala of Bodhicittavajra' Part III: Sanskrit Edition Materials and Methods 1. Sigla 2. Manuscripts 3. Method of Editing 4. Stemma Codicum 5. The Tibetan Translation of the NMAA Critical Edition of Vilâsavajra's Nâmamantrârthâvalokinî: Chapters 1-5 Adhikâra 1 Adhikâra 2 Adhikâra 3 Adhikâra 4 Adhikâra 5 Textual notes Insignificant variants Textual collation to establish the stemma codicum Appendices Appendix 1. Works and authors cited in the NMAA Appendix 2. Sävara, Cakrasävara and äprajñânaya- sävara citations Appendix 3. NMAA colophons Appendix 4. NMAA manuscripts:
Part 1: Introductions Overview 1. Contexts 2. Vilâsavajra: locating the NMAA's author 3. The Nâmasägîti 4. Vilâsavajra's NMAA: overviews and remarks 5. The NMAA's mä ala in Himalayan Art Part 2: Vilâsavajra's Nâmamantrârthâvalokinî: an annotated translation of chapters 1-5 Conventions in the translation Chapter 1: On 'The Request for Instruction' Chapter 2: On 'The Reply' Chapter 3: On 'The Survey of the Six Families' Chapter 4: On 'The Method of Awakening According to the Mâyâjâla' Chapter 5: On 'The Vajradhâtu-Mahâmä ala of Bodhicittavajra' Part III: Sanskrit Edition Materials and Methods 1. Sigla 2. Manuscripts 3. Method of Editing 4. Stemma Codicum 5. The Tibetan Translation of the NMAA Critical Edition of Vilâsavajra's Nâmamantrârthâvalokinî: Chapters 1-5 Adhikâra 1 Adhikâra 2 Adhikâra 3 Adhikâra 4 Adhikâra 5 Textual notes Insignificant variants Textual collation to establish the stemma codicum Appendices Appendix 1. Works and authors cited in the NMAA Appendix 2. Sävara, Cakrasävara and äprajñânaya- sävara citations Appendix 3. NMAA colophons Appendix 4. NMAA manuscripts:
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