This book investigates choreomusical aspects of tango argentino in translocal practice, in particular its current manifestation in Europe. It looks at it in its many facets: movement structures, sound structures, dancers and musicians, and the complex relations between these factors that all have their share in shaping the practice.
This book investigates choreomusical aspects of tango argentino in translocal practice, in particular its current manifestation in Europe. It looks at it in its many facets: movement structures, sound structures, dancers and musicians, and the complex relations between these factors that all have their share in shaping the practice.
Kendra Stepputat is Associate Professor and currently Head of the Institute for Ethnomusicology, University of Music and Performing Arts Graz (KUG), Austria. She graduated in comparative musicology, Southeast Asian studies, and communication studies at Freie Universität and Humboldt Universität Berlin and concluded her PhD and habilitation at KUG. Her research topics include Balinese performing arts and tango argentino in European perspective. Her research focus is on choreomusical aspects of performing arts.
Inhaltsangabe
Introduction Tango Argentino: Dance, Music, and People Musicality and Danceability The Focus on Europe Research Approach and Methods, Leading to the Structure of This Book References 2 A Choreomusical Overview of Tango Argentino Development: 1900-2020 Beginnings in Buenos Aires and Montevideo Dissemination Through Media Connotations of Immorality Reciprocation with Europe: The Way into High Society The Reception of Tango in Argentina Decline Under Economic and Political Pressure The 1980s: Local and International Revival Early Twenty-First Century: Back to the Roots, Reuniting Music and Dance The State of Translocal Tango in the Early 2020s References 3 Tango Music and Its Danceability Tango Musical Features Performance Practice Tango Danceability Tango Music and Its Danceability in a Nutshell References 4 Tango Dance and Its Musicality Basic Movement Repertoire Dance Principles Tango Dance Styles Movement Repertoire Motion Capture Analysis Tango Musicality Tango Dance and Its Musicality in a Nutshell References 5 Tango Music-Dance Relations: Toward a Conclusion Spanish Summary: Baile y Música de Tango: Una Exploración Coreomusical del Tango Argentino en Europa Accompanying Material
Introduction Tango Argentino: Dance, Music, and People Musicality and Danceability The Focus on Europe Research Approach and Methods, Leading to the Structure of This Book References 2 A Choreomusical Overview of Tango Argentino Development: 1900-2020 Beginnings in Buenos Aires and Montevideo Dissemination Through Media Connotations of Immorality Reciprocation with Europe: The Way into High Society The Reception of Tango in Argentina Decline Under Economic and Political Pressure The 1980s: Local and International Revival Early Twenty-First Century: Back to the Roots, Reuniting Music and Dance The State of Translocal Tango in the Early 2020s References 3 Tango Music and Its Danceability Tango Musical Features Performance Practice Tango Danceability Tango Music and Its Danceability in a Nutshell References 4 Tango Dance and Its Musicality Basic Movement Repertoire Dance Principles Tango Dance Styles Movement Repertoire Motion Capture Analysis Tango Musicality Tango Dance and Its Musicality in a Nutshell References 5 Tango Music-Dance Relations: Toward a Conclusion Spanish Summary: Baile y Música de Tango: Una Exploración Coreomusical del Tango Argentino en Europa Accompanying Material
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