Ronald W. Hawker is an assistant professor, Department of Art and Design, Zayed University, Dubai, United Arab Emirates.
Inhaltsangabe
Illustrations Acknowledgments 1 Introduction 2 The Cranmer Potlatch and Indian Agent Halliday's Display 3 Totem Poles in Stanley Park 4 Northwest Coast Art as National Heritage: Two Federal Projects of the Late 1920s 5 The New Deals: George Raley and Depression-era Reform in British Columbia 6 Alice Ravenhill and the BCIAWS 7 Mathias Joe, Mungo Martin, and George Clutesi: "Art" as Resistance 8 UBC, the BCPM, and the Totem Pole Carver Training Program 9 The Totem Pole Preservation Committee and the Case of the Gitanyow 10 Tales of Ghosts That Hover in the World Like Fading Smoke Appendices: A Map showing First Nations groups in British Columbia B Chronology of First Nations art in British Columbia, 1921-61 Notes Bibliography Index
Illustrations Acknowledgments 1 Introduction 2 The Cranmer Potlatch and Indian Agent Halliday's Display 3 Totem Poles in Stanley Park 4 Northwest Coast Art as National Heritage: Two Federal Projects of the Late 1920s 5 The New Deals: George Raley and Depression-era Reform in British Columbia 6 Alice Ravenhill and the BCIAWS 7 Mathias Joe, Mungo Martin, and George Clutesi: "Art" as Resistance 8 UBC, the BCPM, and the Totem Pole Carver Training Program 9 The Totem Pole Preservation Committee and the Case of the Gitanyow 10 Tales of Ghosts That Hover in the World Like Fading Smoke Appendices: A Map showing First Nations groups in British Columbia B Chronology of First Nations art in British Columbia, 1921-61 Notes Bibliography Index
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