Takaq byla pesnq u Borisa Grebenschikowa: "Pokolenie dwornikow i storozhej". Otnosilas' ona k rok-muzykantam, kotorymi byla bogata Rossiq w 80-h godah, i kotoryh trawila i presledowala. Jeti muzykanty, chtoby wlast' k nim ne ceplqlas' po prichine hotq by tuneqdstwa, rabotali dwornikami, storozhami, istopnikami w kotel'noj. I mnogie pytalis' sledowat' kumiram. Suschestwowalo nesmetnoe kolichestwo pod#ezdow, podsobok, gde domoroschennye, dworowye, "rok-muzykanty" pytalis' sotworit' chto-to stoqschee.
Takaq byla pesnq u Borisa Grebenschikowa: "Pokolenie dwornikow i storozhej". Otnosilas' ona k rok-muzykantam, kotorymi byla bogata Rossiq w 80-h godah, i kotoryh trawila i presledowala. Jeti muzykanty, chtoby wlast' k nim ne ceplqlas' po prichine hotq by tuneqdstwa, rabotali dwornikami, storozhami, istopnikami w kotel'noj. I mnogie pytalis' sledowat' kumiram. Suschestwowalo nesmetnoe kolichestwo pod#ezdow, podsobok, gde domoroschennye, dworowye, "rok-muzykanty" pytalis' sotworit' chto-to stoqschee.
Vlad Savich was only a child, growing up in the Soviet Union, when he began to dream of freedom. He tried to build a boat in which to sail to the shores of freedom; the boat sank. He tried to join a choir that was going abroad; they didn't admot him because he'd earned a reputation as a trouble-maker during his time in Komsomol.
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