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A cultural and historical analysis of the interest in subliminal messages in media, seen as a form of vernacular critique.

Produktbeschreibung
A cultural and historical analysis of the interest in subliminal messages in media, seen as a form of vernacular critique.
Autorenporträt
Charles R. Acland is Professor and Communication Studies Research Chair at Concordia University, Montreal. He is the author of Screen Traffic: Movies, Multiplexes, and Global Culture and co-editor of Useful Cinema, both also published by Duke University Press.