Swedish Folk Music in the Twenty-First Century: On the Nature of Tradition in a Folkless Nation, by David Kaminsky, examines the struggle of present-day Swedish folk musicians and dancers to maintain the cultural currency of their genre while simultaneously challenging the historical fallacies and nineteenth-century romantic nationalism upon which that currency was originally based.
Swedish Folk Music in the Twenty-First Century: On the Nature of Tradition in a Folkless Nation, by David Kaminsky, examines the struggle of present-day Swedish folk musicians and dancers to maintain the cultural currency of their genre while simultaneously challenging the historical fallacies and nineteenth-century romantic nationalism upon which that currency was originally based.
David Kaminsky is a lecturer in music at Harvard University, where he earned his Ph.D. in ethnomusicology.
Inhaltsangabe
Preface and Acknowledgments Chapter One: Toward an Insiders' Definition of Folk Music Chapter Two: Reinventing Tradition Chapter Three: Geographical Boundaries (and their Limits) Chapter Four: Folk Music and the Public Eye Chapter Five: A Natural Art Chapter Six: Three Definitions of Folk Music Chapter Seven: Two Public Performances Postscript: Return of the Nationalist Right Appendix A: List of Interviews Appendix B: Glossary of Terms Bibliography Discography and Videography Index About the Author
Preface and Acknowledgments Chapter One: Toward an Insiders' Definition of Folk Music Chapter Two: Reinventing Tradition Chapter Three: Geographical Boundaries (and their Limits) Chapter Four: Folk Music and the Public Eye Chapter Five: A Natural Art Chapter Six: Three Definitions of Folk Music Chapter Seven: Two Public Performances Postscript: Return of the Nationalist Right Appendix A: List of Interviews Appendix B: Glossary of Terms Bibliography Discography and Videography Index About the Author
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