Stephanie Sieburth's Survival Songs explores how a genre of Spanish popular music, the copla, as sung by legendary performer Conchita Piquer, helped Republican sympathizers to survive the Franco regime's dehumanizing treatment following the Spanish Civil War (1936-39).
Stephanie Sieburth's Survival Songs explores how a genre of Spanish popular music, the copla, as sung by legendary performer Conchita Piquer, helped Republican sympathizers to survive the Franco regime's dehumanizing treatment following the Spanish Civil War (1936-39).
Acknowledgments Introduction: Conchita Piquer’s Coplas as Psychotherapy Chapter One: Camouflage: The Psychology of Survival in Franco’s Spain Chapter Two: An Introduction to the Copla and its Star Performer Chapter Three: Coping with Terror Through Popular Music: ‘La Parrala’ (‘The Wine Lady’) Chapter Four: Paradise Lost: ‘Ojos verdes’ (‘Green Eyes’) as Ritual of Separation Chapter Five: ‘Tatuaje’ (‘Tattoo’), the Unburied Dead, and Complicated Grief Chapter Six: The ‘Other Woman’: ‘Romance de la otra’ as Ritual of Marginalization and Disenfranchised Grief Chapter Seven: Reasserting Personhood through Popular Song: ‘Romance de valentía’ (‘Ballad of Bravery’) and ‘La Ruiseñora’ (‘The Nightingale’) Chapter Eight: When a Radio Song is the Meaning of Life: Mending the Torn Fabric of Identity through Narrative, Music and Interpretation Conclusion Notes Bibliography
Acknowledgments Introduction: Conchita Piquer’s Coplas as Psychotherapy Chapter One: Camouflage: The Psychology of Survival in Franco’s Spain Chapter Two: An Introduction to the Copla and its Star Performer Chapter Three: Coping with Terror Through Popular Music: ‘La Parrala’ (‘The Wine Lady’) Chapter Four: Paradise Lost: ‘Ojos verdes’ (‘Green Eyes’) as Ritual of Separation Chapter Five: ‘Tatuaje’ (‘Tattoo’), the Unburied Dead, and Complicated Grief Chapter Six: The ‘Other Woman’: ‘Romance de la otra’ as Ritual of Marginalization and Disenfranchised Grief Chapter Seven: Reasserting Personhood through Popular Song: ‘Romance de valentía’ (‘Ballad of Bravery’) and ‘La Ruiseñora’ (‘The Nightingale’) Chapter Eight: When a Radio Song is the Meaning of Life: Mending the Torn Fabric of Identity through Narrative, Music and Interpretation Conclusion Notes Bibliography
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