Subjectivity versus the Main Stream Culture - Abdelfattah, Hamada
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This study examines subjectivity in selected plays of Clifford Odets, August Wilson and Milcha Sanchez-Scott. It examines subjectivity as it appears in Odets' selected play, Awake and Sing! as he explores the socio-cultural elements of his Jewish identity. It also discusses Wilson's play The Piano Lesson in which he reveals and addresses his African-American identity by employing different devices of African cultural traditions. Then, the study deals with Sanchez-Scott's The Cuban Swimmer, in which the playwright explores her Latin-American culture from a feminist point of view. The study ends…mehr

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Produktbeschreibung
This study examines subjectivity in selected plays of Clifford Odets, August Wilson and Milcha Sanchez-Scott. It examines subjectivity as it appears in Odets' selected play, Awake and Sing! as he explores the socio-cultural elements of his Jewish identity. It also discusses Wilson's play The Piano Lesson in which he reveals and addresses his African-American identity by employing different devices of African cultural traditions. Then, the study deals with Sanchez-Scott's The Cuban Swimmer, in which the playwright explores her Latin-American culture from a feminist point of view. The study ends by proving that the three playwrights managed to portray their own subjectivities in addition to the cultural identities of their fellow people.
Autorenporträt
Hamada Abdelfattah Yousef, Egyptian Literary Schoalr. He was born in 1975. He works as a teacher of Engish language in a private school. He got his MA degree in English drama, the Department of English, Faculty of Arts, Mansoura University.