This book examines the diverse facets of popular music in Malta, paying special attention to g¿ana (Malta's folk song), the wind band tradition, and modern popular music.
This book examines the diverse facets of popular music in Malta, paying special attention to g¿ana (Malta's folk song), the wind band tradition, and modern popular music.
Philip Ciantar is a senior lecturer in music at the School of Performing Arts, University of Malta. His research interests include Maltese popular music, world music analysis, and North African music. He is the author of The Ma'l¿f in Contemporary Libya: An Arab Andalusian Musical Tradition (Ashgate 2012; Routledge 2016) and various articles in ethnomusicology.
Inhaltsangabe
Introduction 1 Studies and Snippets in Maltese Popular Music 2 G ana: Legacy, Meanings, and New Directions 3 G ana and its Parallels in the Mediterranean: Music, Expression, and Performance 4 Saints, Wind Bands, and Meanings 5 The Process of Musical Translation: Composing a Maltese Festa Band March from Libyan Ma'l f Music 6 The Singer as Individual: Pop Singers, Music, and Political Propaganda in Contemporary Maltese Electoral Campaigns Epilogue Glossary References Audio and Visual Musical Examples Index
Introduction 1 Studies and Snippets in Maltese Popular Music 2 G ana: Legacy, Meanings, and New Directions 3 G ana and its Parallels in the Mediterranean: Music, Expression, and Performance 4 Saints, Wind Bands, and Meanings 5 The Process of Musical Translation: Composing a Maltese Festa Band March from Libyan Ma'l f Music 6 The Singer as Individual: Pop Singers, Music, and Political Propaganda in Contemporary Maltese Electoral Campaigns Epilogue Glossary References Audio and Visual Musical Examples Index
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