The first detailed study of string quartets in late-eighteenth and early-nineteenth century Europe through the work of nine scholars who explore little-studied aspects of this multi-faceted genre.
The first detailed study of string quartets in late-eighteenth and early-nineteenth century Europe through the work of nine scholars who explore little-studied aspects of this multi-faceted genre.
Nancy November is currently Associate Professor in musicology at the University of Auckland. Combining interdisciplinarity and cultural history, her research continues to center on chamber music of the late eighteenth and nineteenth centuries, probing questions of historiography, canonization, and genre. Recent publications include Performing History: Approaches to History Across Musicology (Academic Studies Press, 2020); Beethoven¿s Theatrical Quartets: Opp. 59, 74, and 95 (Cambridge University Press, 2013); a three-volume set of fifteen string quartets by Emmanuel Aloys Förster (A-R Editions, 2016); and Cultivating String Quartets in Beethoven¿s Vienna (Boydell Press, 2017). She is the recipient of a Humboldt Fellowship, and three Marsden Grants from the New Zealand Royal Society.
Inhaltsangabe
Acknowledgments Introduction 1. His Master s Voice? Ries, Reputation, and the String Quartet Allan Badley 2. The Middle Period String Quartets of Spohr and Beethoven Nancy November 3. Counterpoint without Anxiety? Andreas Romberg s String Quartets Op. 2, Dedicated to Haydn W. Dean Sutcliffe 4. On the Fugues in Anton Reichäs Quatuor Scientifique: Between Tradition and Innovation Mai Koshikakezawa 5. The Other Razumovsky Quartets: Franz Weiss s Op. 8 and the Formation of Viennäs Kennerpublikum Mark Ferraguto 6. Hyacinthe Jadin and the Sound of Revolution: Recovering French String Quartet Aesthetics in 1790s Paris Callum Blackmore 7. One for the Rode : The Contribution of Pierre Rode and the Quatuor Brillant to the Early Nineteenth-Century String Quartet Sam Girling 8. A Surprise to the Ears, an Amusement for the Eyes: Compositional Strategy and Audience Response to String Quartets ca. 1800 Yoko Maruyama 9. The Canonization of Beethoven s String Quartets in the Musikalisches Taschenbuch auf das Jahr 1803 Christian Speck Epilogue Authors Biographies Index
Acknowledgments Introduction 1. His Master s Voice? Ries, Reputation, and the String Quartet Allan Badley 2. The Middle Period String Quartets of Spohr and Beethoven Nancy November 3. Counterpoint without Anxiety? Andreas Romberg s String Quartets Op. 2, Dedicated to Haydn W. Dean Sutcliffe 4. On the Fugues in Anton Reichäs Quatuor Scientifique: Between Tradition and Innovation Mai Koshikakezawa 5. The Other Razumovsky Quartets: Franz Weiss s Op. 8 and the Formation of Viennäs Kennerpublikum Mark Ferraguto 6. Hyacinthe Jadin and the Sound of Revolution: Recovering French String Quartet Aesthetics in 1790s Paris Callum Blackmore 7. One for the Rode : The Contribution of Pierre Rode and the Quatuor Brillant to the Early Nineteenth-Century String Quartet Sam Girling 8. A Surprise to the Ears, an Amusement for the Eyes: Compositional Strategy and Audience Response to String Quartets ca. 1800 Yoko Maruyama 9. The Canonization of Beethoven s String Quartets in the Musikalisches Taschenbuch auf das Jahr 1803 Christian Speck Epilogue Authors Biographies Index
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