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Star Gazing puts female spectators back into theories of spectatorship. Combining film theory with a rich body of ethnographic research, Jackie Stacey investigates the place of movie stars - Joan Crawford, Rita Hayworth, Bette Davis, Lauren Bacall, Doris Day, Deanna Durbin - in women's memories of wartime and postwar Britain, when cinema-going was at an all-time high. Demonstrating the importance of cultural and national location, Stacey focuses on three key processes of spectatorship - escapism, identification and consumption. Her study challenges the universalism of the psychoanalytic…mehr

Produktbeschreibung
Star Gazing puts female spectators back into theories of spectatorship. Combining film theory with a rich body of ethnographic research, Jackie Stacey investigates the place of movie stars - Joan Crawford, Rita Hayworth, Bette Davis, Lauren Bacall, Doris Day, Deanna Durbin - in women's memories of wartime and postwar Britain, when cinema-going was at an all-time high. Demonstrating the importance of cultural and national location, Stacey focuses on three key processes of spectatorship - escapism, identification and consumption. Her study challenges the universalism of the psychoanalytic approach which has dominated the feminist agenda within film studies for two decades, and gives a new direction to questions of popular culture, female pleasure and female desire.
Combining film theory with a rich body of ethnographic research, Stacey applies theories of spectatorship to female spectators. Stacey's research analyses what memories female movie goers have of stars Bette Davis and Lauren Bacall.
Autorenporträt
Jackie Stacey